Properties (46)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
musical ensemble
|
| gptkbp:activeYears |
1968-1972
|
| gptkbp:associatedWith |
avant-garde music
collective composition free music |
| gptkbp:collaboratedWith |
gptkb:Peter_Maxwell_Davies
gptkb:David_Tudor gptkb:Evan_Parker gptkb:Christian_Wolff |
| gptkbp:disbanded |
1972
|
| gptkbp:foundedBy |
gptkb:Cornelius_Cardew
|
| gptkbp:genre |
experimental music
|
| https://www.w3.org/2000/01/rdf-schema#label |
Cardew's Scratch Orchestra
|
| gptkbp:influenced |
later experimental ensembles
|
| gptkbp:influencedBy |
gptkb:Fluxus
gptkb:John_Cage Dadaism |
| gptkbp:legacy |
encouraged interdisciplinary collaboration in the arts
fostered collaboration among artists expanded the role of the audience in music performance influenced the field of contemporary classical music contributed to the concept of open form in music contributed to the discourse on art and politics encouraged experimental approaches to performance encouraged participation of non-musicians expanded the definition of music influenced the development of sound art influenced the punk and DIY music movements inspired community music projects inspired the use of graphic scores encouraged the exploration of sound beyond traditional instruments promoted non-hierarchical music making promoted the idea of music as a form of protest promoted the idea of music as a social practice fostered a spirit of experimentation and innovation in music. inspired future generations of composers and musicians inspired the creation of similar collectives worldwide |
| gptkbp:location |
gptkb:United_Kingdom
|
| gptkbp:notable_member |
gptkb:Howard_Skempton
gptkb:John_Tilbury gptkb:Cornelius_Cardew gptkb:Michael_Parsons |
| gptkbp:notableWorks |
gptkb:The_Great_Learning
Treatise The_Scratch_Orchestra's_Music |
| gptkbp:performances |
improvisation
|