Statements (59)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:bfsLayer |
7
|
| gptkbp:bfsParent |
gptkb:Heifetz_Plays_Paganini_Caprices
|
| gptkbp:arrangements |
for various instruments
|
| gptkbp:associated_with |
virtuoso violinists
Paganini's legacy |
| gptkbp:composer |
gptkb:Niccolò_Paganini
|
| gptkbp:cultural_significance |
important in violin repertoire
|
| gptkbp:dedicated_to |
gptkb:unknown
|
| gptkbp:difficulty |
advanced
|
| gptkbp:duration |
approximately 3 minutes
|
| gptkbp:first_performance |
1817
|
| gptkbp:form |
rondo
|
| gptkbp:genre |
caprice
|
| https://www.w3.org/2000/01/rdf-schema#label |
Caprice No. 44
|
| gptkbp:influenced |
violin technique
modern violin playing |
| gptkbp:inspired |
other composers
|
| gptkbp:is_analyzed_in |
in music theory
|
| gptkbp:is_discussed_in |
in musicology
|
| gptkbp:is_featured_in |
in educational materials
|
| gptkbp:is_often_associated_with |
in music literature
in masterclasses |
| gptkbp:is_often_used_in |
in educational settings
in workshops in showcases in concerts in competitions in festivals in recitals in chamber music settings in masterclasses in auditions in solo performances |
| gptkbp:key |
E major
|
| gptkbp:notable_performers |
gptkb:Yehudi_Menuhin
gptkb:Itzhak_Perlman gptkb:Hilary_Hahn |
| gptkbp:notable_recordings |
numerous
by Maxim Vengerov by Sarah Chang by Anne-Sophie Mutter by Joshua Bell by Augustin Hadelich |
| gptkbp:number |
gptkb:44
|
| gptkbp:part_of |
gptkb:24_Caprices_for_Solo_Violin
violin studies violin competitions repertoire |
| gptkbp:performed_by |
music festivals
competitions |
| gptkbp:published_by |
1817
|
| gptkbp:signature_move |
4/4
|
| gptkbp:speed |
gptkb:Allegro
|
| gptkbp:style |
virtuosic
|
| gptkbp:technique |
harmonics
double stops fast passages left-hand pizzicato string crossings |