gptkbp:instance_of
|
gptkb:musical_composition
|
gptkbp:associated_with
|
Romantic era music
|
gptkbp:characteristics
|
fast tempo
rapid passages
double stops
expressive dynamics
complex bowing techniques
|
gptkbp:composer
|
gptkb:Niccolò_Paganini
|
gptkbp:dedicated_to
|
Paganini's friend
|
gptkbp:duration
|
approximately 5 minutes
|
gptkbp:famous_for
|
harmonics and pizzicato techniques
|
gptkbp:first_performance
|
1817
|
gptkbp:genre
|
classical music
|
https://www.w3.org/2000/01/rdf-schema#label
|
Caprice No. 38
|
gptkbp:influenced
|
many violinists
contemporary compositions
|
gptkbp:inspired
|
arrangements for other instruments
various transcriptions
|
gptkbp:instrumentation
|
solo violin
|
gptkbp:is_analyzed_in
|
music theory classes
|
gptkbp:is_celebrated_in
|
technical prowess required
|
gptkbp:is_cited_in
|
music literature
|
gptkbp:is_considered_as
|
showpiece for violinists
|
gptkbp:is_discussed_in
|
musicology studies
|
gptkbp:is_featured_in
|
violin festivals
|
gptkbp:is_often_associated_with
|
musical education
violin competitions
violin method books
|
gptkbp:is_often_used_in
|
gptkb:concert_tour
auditions
recitals
masterclasses
|
gptkbp:is_recognized_by
|
a standard repertoire piece
|
gptkbp:key
|
E major
|
gptkbp:notable_for
|
its emotional expression
technical difficulty
|
gptkbp:notable_recordings
|
by Maxim Vengerov
by Sarah Chang
by Anne-Sophie Mutter
by Augustin Hadelich
|
gptkbp:opus_number
|
Op. 1
|
gptkbp:part_of
|
gptkb:24_Caprices_for_Solo_Violin
Paganini's legacy
|
gptkbp:performed_by
|
gptkb:Nina_Basso
gptkb:Alena_Baeva
gptkb:Augustin_Hadelich
gptkb:Tessa_Lark
gptkb:Yehudi_Menuhin
gptkb:Itzhak_Perlman
gptkb:Rachel_Barton_Pine
gptkb:Lara_St._John
gptkb:Simone_Lamsma
gptkb:Hilary_Hahn
gptkb:Ray_Chen
gptkb:Kerson_Leong
gptkb:James_Ehnes
orchestral settings
|
gptkbp:published_by
|
1820
|
gptkbp:recorded_by
|
gptkb:Joshua_Bell
|
gptkbp:repertoire
|
violinists worldwide
|
gptkbp:style
|
virtuosic
|
gptkbp:bfsParent
|
gptkb:Heifetz_Plays_Paganini_Caprices
|
gptkbp:bfsLayer
|
7
|