Statements (54)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:bfsLayer |
7
|
| gptkbp:bfsParent |
gptkb:Heifetz_Plays_Paganini_Caprices
|
| gptkbp:arrangements |
for various instruments
|
| gptkbp:associated_with |
Romantic era music
|
| gptkbp:character |
lively
|
| gptkbp:characteristics |
emotional depth
rhythmic complexity dynamic contrasts musical expression technical challenges melodic development artistic interpretation technical prowess stylistic variety |
| gptkbp:composer |
gptkb:Niccolò_Paganini
|
| gptkbp:cultural_impact |
gptkb:significant
|
| gptkbp:dedicated_to |
the violinist's friends
|
| gptkbp:duration |
approximately 5 minutes
|
| gptkbp:first_performance |
gptkb:unknown
|
| gptkbp:genre |
classical music
|
| https://www.w3.org/2000/01/rdf-schema#label |
Caprice No. 36
|
| gptkbp:influenced |
many violinists
contemporary composers jazz violinists |
| gptkbp:inspired |
compositions by other composers
|
| gptkbp:instrumentation |
solo violin
|
| gptkbp:is_analyzed_in |
in music theory
|
| gptkbp:is_featured_in |
in violin recitals
|
| gptkbp:is_often_associated_with |
in popular culture
in concert programs |
| gptkbp:is_often_used_in |
in competitions
as a teaching piece |
| gptkbp:is_studied_in |
by music students
|
| gptkbp:key |
E major
|
| gptkbp:known_for |
expressive melodies
|
| gptkbp:notable_for |
technical difficulty
|
| gptkbp:notable_recordings |
numerous
by Maxim Vengerov by Anne-Sophie Mutter by Hilary Hahn by Itzhak Perlman by Joshua Bell |
| gptkbp:opus_number |
Op. 1
|
| gptkbp:part_of |
violin repertoire
|
| gptkbp:performed_by |
music festivals
many famous violinists |
| gptkbp:published_by |
1805
|
| gptkbp:series |
gptkb:24_Caprices_for_Solo_Violin
|
| gptkbp:style |
virtuosic
|
| gptkbp:technique |
harmonics
double stops fast passages left-hand pizzicato |