|
gptkbp:instance_of
|
gptkb:musical_composition
|
|
gptkbp:bfsLayer
|
5
|
|
gptkbp:bfsParent
|
gptkb:Heinrich_Schütz
gptkb:William_Byrd
|
|
gptkbp:arrangements
|
Vocal ensemble arrangement
|
|
gptkbp:associated_with
|
gptkb:church
|
|
gptkbp:composer
|
gptkb:Orlando_di_Lasso
|
|
gptkbp:cultural_significance
|
important in church music history
|
|
gptkbp:dedicated_to
|
gptkb:church
|
|
gptkbp:genre
|
gptkb:music_festival
|
|
gptkbp:historical_context
|
gptkb:Counter-Reformation
|
|
gptkbp:historical_significance
|
reflects Renaissance ideals
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Cantiones Sacrae
|
|
gptkbp:influenced_artists
|
gptkb:choir
|
|
gptkbp:influenced_by
|
gptkb:Palestrina
early music traditions
|
|
gptkbp:influences
|
gptkb:sports_team
|
|
gptkbp:inspiration
|
gptkb:church
|
|
gptkbp:is_available_in
|
music libraries
|
|
gptkbp:is_available_on
|
C Ds
|
|
gptkbp:is_influential_in
|
subsequent composers
|
|
gptkbp:language
|
gptkb:Latin
|
|
gptkbp:notable_feature
|
polyphony
textural variety
|
|
gptkbp:notable_for
|
gptkb:church
|
|
gptkbp:notable_performance
|
gptkb:concert_tour
|
|
gptkbp:notable_recordings
|
historically informed performance
|
|
gptkbp:notable_traits
|
rich harmonies
|
|
gptkbp:notable_work
|
gptkb:Dixit_Dominus
gptkb:Exsultate,_jubilate
gptkb:Ave_Verum_Corpus
gptkb:Ave_Maria
gptkb:Te_Deum
gptkb:O_Magnum_Mysterium
gptkb:Misericordias_Domini
gptkb:O_Salutaris_Hostia
gptkb:Tantum_Ergo_Sacramentum
Domine, non sum dignus
Laudate Dominum
Veni, Sancte Spiritus
Miserere mei, Deus
Ad te levavi animam meam
In te, Domine, speravi
Oremus pro Pontifice nostro.
|
|
gptkbp:number_of_pieces
|
37
|
|
gptkbp:part_of
|
Lasso's sacred works
|
|
gptkbp:performed_by
|
gptkb:church
gptkb:choir
liturgical services
professional choirs
|
|
gptkbp:published_by
|
gptkb:Venice
|
|
gptkbp:published_year
|
1570
|
|
gptkbp:publisher
|
gptkb:Giovanni_Giolito
|
|
gptkbp:recorded_by
|
various artists
|
|
gptkbp:style
|
gptkb:organization
|