Statements (382)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:Actor
gptkb:Businessman gptkb:Film_Director gptkb:Politician gptkb:film gptkb:character |
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Acapulco
gptkb:Around_the_World_in_80_Days gptkb:Passepartout |
| gptkbp:active_years |
1937-1992
1937-1993 |
| gptkbp:addressed |
social issues
|
| gptkbp:advertising |
Promoted through social media
|
| gptkbp:appears_in |
over 50 films
|
| gptkbp:associated_act |
gptkb:Luis_Aguilar
gptkb:Martha_Roth gptkb:Tin_Tan Mexican cinema |
| gptkbp:associated_with |
Mexican cinema
the Cantinflas character |
| gptkbp:audience |
Rated PG-13
|
| gptkbp:awarded_by |
star on the Hollywood Walk of Fame
|
| gptkbp:awards |
gptkb:award
gptkb:artwork Nominated for several awards star on the Hollywood Walk of Fame |
| gptkbp:based_on |
gptkb:Mario_Moreno
|
| gptkbp:battle_honors |
star on the Hollywood Walk of Fame
|
| gptkbp:birth_date |
August 12, 1911
|
| gptkbp:birth_place |
gptkb:Mexico_City
Mexico City, Mexico |
| gptkbp:born |
gptkb:Mario_Fortino_Alfonso_Moreno_Reyes
1911 August 12, 1911 |
| gptkbp:box_office |
$1.5 million
|
| gptkbp:budget |
gptkb:$5_million
|
| gptkbp:burial_place |
gptkb:Panteón_Francés_de_la_Piedad
|
| gptkbp:business_model |
gptkb:film_production_company
gptkb:Company |
| gptkbp:character |
gptkb:Mario_Moreno
Cantinflas the clown |
| gptkbp:character_arc |
From humble beginnings to fame
|
| gptkbp:character_development |
Focuses on personal growth
|
| gptkbp:character_traits |
gptkb:musical
resourceful clever humorous endearing resourcefulness cleverness socially aware clever and resourceful |
| gptkbp:children |
gptkb:Mario_Moreno_Ivanova
|
| gptkbp:cinematography |
Jorge W. Fons
Blend of humor and drama |
| gptkbp:collaborated_with |
gptkb:Sergio_García
gptkb:Luis_Buñuel gptkb:Sergio_Ramos other filmmakers |
| gptkbp:collaborations |
director Miguel M. Delgado
producer Luis Buñuel writer Manuel Esperón other famous Mexican actors. singer and actress Maria Felix |
| gptkbp:contributed_to |
gptkb:charity
the Golden Age of Mexican cinema |
| gptkbp:country |
gptkb:Mexico
|
| gptkbp:created_by |
gptkb:Mario_Moreno
|
| gptkbp:critical_reception |
Mixed reviews
|
| gptkbp:cultural_impact |
gptkb:Latin_America
Latin American culture icon of Mexican culture icon of Mexican cinema Significant in Mexican culture symbol of the Mexican working class iconic figure in Mexico |
| gptkbp:cultural_references |
Includes references to Mexican culture
|
| gptkbp:cultural_representation |
Mexican culture in cinema
|
| gptkbp:cultural_significance |
symbol of the underdog
symbol of the Mexican working class |
| gptkbp:death_date |
April 20, 1993
|
| gptkbp:death_place |
gptkb:Mexico_City
Mexico City, Mexico |
| gptkbp:debut_year |
gptkb:El_gendarme_desconocido
1937 Ahí está el detalle No te engañes, corazón No te ofendas, Beatriz |
| gptkbp:demographics |
Appealed to a wide age range
|
| gptkbp:died |
April 20, 1993
|
| gptkbp:died_in |
gptkb:Mexico_City
Mexico City, Mexico |
| gptkbp:director |
Sebastián del Amo
|
| gptkbp:distributor |
gptkb:football_club
|
| gptkbp:edited_by |
gptkb:Joaquín_Cociña
|
| gptkbp:end_of_life |
gptkb:1993
|
| gptkbp:famous_for |
gptkb:musical
gptkb:event Social commentary cultural references improvisation social commentary comedic roles physical comedy cultural satire wordplay slapstick humor his physical comedy slapstick comedy character-driven humor film roles Slapstick humor humor about politics humor about poverty unique comedic style light-hearted humor social commentary in films humor about everyday life social issues in comedy light-hearted entertainment his unique way of speaking his unique speech style endearing personality Character of Cantinflas the character ' Cantinflas' character of Cantinflas humor about social class |
| gptkbp:famous_person |
gptkb:The_Little_Tramp
gptkb:Cantinflas Cantinflas character Cantinflas the Clown the character Cantinflas |
| gptkbp:famous_quote |
" El que no sabe es como el que no ve."
" La vida es un sueño, y los sueños, sueños son." " El humor es la mejor medicina." " Hay que vivir la vida con alegría." " No hay que llorar, que la vida es un carnaval." “ No hay que llorar, hay que reír.” " I am a clown, and I am proud of it." " La vida es una comedia para aquellos que piensan, y una tragedia para aquellos que sienten." " I am a clown, but I am also a man." " The only thing I have is my dignity." “ La vida es un sueño, y los sueños, sueños son.” “ No hay que llorar, que la vida es un carnaval.” “ El que no arriesga no gana.” “ El que no sabe es como el que no ve.” “ Hay que vivir la vida, no solo sobrevivir.” |
| gptkbp:fan_base |
across Latin America
|
| gptkbp:features |
Cameos by various Mexican actors
|
| gptkbp:film_festival |
Screened at various film festivals
|
| gptkbp:filming_location |
gptkb:Mexico_City
|
| gptkbp:filmography |
gptkb:1991
gptkb:1993 gptkb:El_gendarme_desconocido El padrecito Combination of biopic and comedy |
| gptkbp:first_appearance |
gptkb:1940
1937 1939 |
| gptkbp:follows |
The life of Mario Moreno Cantinflas
|
| gptkbp:founded |
gptkb:Cantinflas_Productions
|
| gptkbp:full_name |
gptkb:Mario_Moreno_Reyes
|
| gptkbp:genre |
gptkb:musical
gptkb:Historical_Society gptkb:High_School |
| gptkbp:has_child |
gptkb:Mario_Moreno_Ivanova
|
| gptkbp:has_impact_on |
gptkb:musical
gptkb:organization |
| gptkbp:has_influence_on |
Latin American cinema
Spanish-speaking audiences Latin American comedy |
| gptkbp:historical_context |
Set in the early 20th century
|
| gptkbp:historical_figure |
Features real-life figures from Cantinflas' life
|
| gptkbp:home_media_release |
Released on DVD and Blu-ray
|
| https://www.w3.org/2000/01/rdf-schema#label |
Cantinflas
|
| gptkbp:influence |
gptkb:musical
Latin American cinema future comedians |
| gptkbp:influenced |
gptkb:musical
gptkb:Luis_Miguel gptkb:theatre gptkb:Roberto_Gómez_Bolaños gptkb:Chespirito Latin American cinema stand-up comedy Latino comedy Spanish-speaking audiences comedic storytelling future generations of comedians film industry in Mexico Latin American comedy cultural identity in Mexico comedy in Mexico Spanish-speaking comedians Latin American humor film industry in Latin America Latin American comedians comedy in Spanish-speaking countries the art of clowning Mexican popular culture comedy in films the development of comedy in Latin America the genre of comedy in Mexico the portrayal of Mexican characters in film comedic style in Mexico |
| gptkbp:influenced_by |
gptkb:Charlie_Chaplin
gptkb:Buster_Keaton Mexican folklore Silent film era comedians |
| gptkbp:influences |
Latin American cinema
|
| gptkbp:inspiration |
gptkb:Luis_Miguel
gptkb:Adal_Ramones gptkb:Eugenio_Derbez gptkb:Roberto_Gómez_Bolaños gptkb:Chespirito many comedians other comedic characters Inspired by the life of Mario Moreno |
| gptkbp:inspired |
many comedians
future comedians future generations of comedians |
| gptkbp:inspired_by |
Cantinflas' comedy style
|
| gptkbp:is_a |
comedic character
|
| gptkbp:is_active_in |
gptkb:theatre
1940s to 1980s 1940s to 1990s |
| gptkbp:is_adept_at |
improvisation
|
| gptkbp:is_celebrated_in |
various festivals
|
| gptkbp:is_critical_for |
Examined for its portrayal of Mexican identity
|
| gptkbp:is_criticized_for |
Reviewed by various film critics
|
| gptkbp:is_featured_in |
gptkb:comic_book
gptkb:television_special musical numbers documentaries about comedy |
| gptkbp:is_involved_in |
gptkb:comic_book
gptkb:charity social issues film production |
| gptkbp:is_known_for |
social commentary
comedic roles his unique style slapstick humor his improvisational skills socially conscious films satirical roles the Charlie Chaplin of Mexico |
| gptkbp:is_often_associated_with |
cultural events
famous actors of his time |
| gptkbp:is_often_depicted_as |
gptkb:theatre
variety shows |
| gptkbp:is_often_used_in |
physical comedy
the underdog puns and wordplay a character named Cantinflas the role of a poor man the role of a common man |
| gptkbp:is_part_of |
gptkb:Mexican_Golden_Age_of_Cinema
|
| gptkbp:is_popular_in |
gptkb:Latin_America
1950s |
| gptkbp:is_promoted_by |
Mexican culture
|
| gptkbp:is_recognized_by |
gptkb:philosopher
gptkb:UNESCO gptkb:artwork a pioneer his contributions to cinema. UNESCO as a cultural ambassador |
| gptkbp:is_recognized_for |
his humanitarian efforts
|
| gptkbp:known_for |
gptkb:musical
Film and television cultural representation improvisation social commentary film and television cultural satire timeless humor timeless appeal humor and wit slapstick comedy family-friendly films his improvisational skills his charitable work his ability to connect with audiences his ability to connect with audiences. improvisational skills his distinctive mustache universal appeal social commentary in films social issues in comedy endearing characters portraying the character Cantinflas character Cantinflas his unique comedic timing |
| gptkbp:language |
gptkb:Spanish
|
| gptkbp:legacy |
cultural ambassador
film and television icon of Mexican culture icon of Mexican cinema influenced comedians influenced future comedians inspiration for future comedians Influenced future comedians influential figure in comedy cultural impact in Latin America influential figure in Latin American cinema |
| gptkbp:media_appearances |
gptkb:El_show_de_Cantinflas
|
| gptkbp:merchandising |
Related merchandise available
|
| gptkbp:music_by |
Julio Salazar
|
| gptkbp:nationality |
gptkb:Politician
|
| gptkbp:notable_film |
gptkb:La_vuelta_al_mundo_en_80_días
gptkb:Around_the_World_in_80_Days gptkb:El_bolero_de_Raquel gptkb:Los_tres_mosqueteros gptkb:El_Padrecito Ahí está el detalle El padrecito |
| gptkbp:notable_production |
Cantinflas as a businessman
Cantinflas as a doctor Cantinflas as a father Cantinflas as a friend Cantinflas as a lawyer Cantinflas as a politician Cantinflas as a soldier Cantinflas as a teacher Cantinflas as a thief Cantinflas as a waiter |
| gptkbp:notable_work |
gptkb:La_vuelta_al_mundo_en_80_días
gptkb:El_bolero_de_Raquel gptkb:Los_tres_mosqueteros Ahí está el detalle El padrecito |
| gptkbp:occupation |
gptkb:Actor
gptkb:Author gptkb:Film_Director |
| gptkbp:origin |
gptkb:Mexico
|
| gptkbp:owner |
gptkb:theatre
|
| gptkbp:partnership |
film studios
|
| gptkbp:partnerships |
international distributors
|
| gptkbp:political_position |
gptkb:none
|
| gptkbp:portrayed_by |
gptkb:Óscar_Jaenada
gptkb:Mario_Moreno gptkb:animated_television_series gptkb:documentaries Mexican culture working class various social classes the everyman biographical films The 2014 film ' Cantinflas' |
| gptkbp:premiere |
gptkb:Los_Angeles_Film_Festival
|
| gptkbp:production_company |
gptkb:Cinecolor_Films
|
| gptkbp:real_name |
gptkb:Mario_Moreno_Reyes
|
| gptkbp:release_date |
August 29, 2014
|
| gptkbp:release_year |
gptkb:2014
|
| gptkbp:runtime |
102 minutes
|
| gptkbp:screenings |
Special screenings held in various cities
|
| gptkbp:screenplay_by |
gptkb:Eduardo_Cisneros
|
| gptkbp:signature_move |
slapstick humor
slapstick comedy Cantinflas signature mischievous and innocent character |
| gptkbp:social_media |
Addresses social issues in Mexico
|
| gptkbp:soundtrack |
Original score by Julio Salazar
|
| gptkbp:spouse |
gptkb:Valentina_Ivanova
|
| gptkbp:starring |
gptkb:Óscar_Jaenada
gptkb:Around_the_World_in_80_Days |
| gptkbp:style |
gptkb:musical
satirical humor improvisation physical comedy satirical comedy slapstick comedy comedic performance |
| gptkbp:succeeded_by |
in film industry
|
| gptkbp:symbolism |
gptkb:Mexico
|
| gptkbp:themes |
Struggle and success
|
| gptkbp:viewership |
Appealed to both Mexican and international audiences
|
| gptkbp:was_a |
gptkb:Author
gptkb:Film_Director gptkb:charity cultural ambassador |
| gptkbp:works_with |
Hollywood actors
|