Statements (42)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:artist
gptkb:writer literary criticism curator |
| gptkbp:activeYears |
2000s–present
|
| gptkbp:award |
Hnatyshyn Foundation Award for Curatorial Excellence in Contemporary Art
|
| gptkbp:birthPlace |
gptkb:Whitehorse,_Yukon,_Canada
|
| gptkbp:boardMemberOf |
Native American Arts Studies Association
Wood Land School |
| gptkbp:degree |
MA in curatorial studies
|
| gptkbp:education |
gptkb:Carleton_University
|
| gptkbp:ethnicity |
gptkb:Tlingit
gptkb:Carcross/Tagish_First_Nation |
| gptkbp:exhibits |
Close Encounters: The Next 500 Years
Insurgence/Resurgence (Winnipeg Art Gallery) Soundings: An Exhibition in Five Parts Unsettled Landscapes (SITE Santa Fe) Art for New Understanding: Native Voices, 1950s to Now Sakahàn: International Indigenous Art (National Gallery of Canada) |
| https://www.w3.org/2000/01/rdf-schema#label |
Candice Hopkins
|
| gptkbp:knownFor |
Indigenous contemporary art
decolonial curatorial practice |
| gptkbp:language |
gptkb:Tlingit
English |
| gptkbp:nationality |
gptkb:Canadian
|
| gptkbp:notableWork |
co-curator of the Toronto Biennial of Art
curator of SITElines Biennial (SITE Santa Fe) curator of documenta 14 curator of the 2019 Venice Biennale (Canada Pavilion) |
| gptkbp:occupation |
gptkb:artist
gptkb:writer literary criticism curator |
| gptkbp:publishedIn |
Making Things Our Own: The Indigenous Aesthetic in Digital Storytelling
Outlawed Social Life Sovereign Acts The Appropriation Debates (essay) The Gilded Gaze: Wealth and Economies in Contemporary Indigenous Art Red on Red: Indigenous Curatorial Practice in Contemporary Art |
| gptkbp:spouse |
gptkb:Raven_Chacon
|
| gptkbp:bfsParent |
gptkb:CCS_Bard
|
| gptkbp:bfsLayer |
7
|