Statements (57)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:collaborator |
various artists
|
| gptkbp:composer |
gptkb:John_Cage
|
| gptkbp:duration |
variable
|
| gptkbp:explores |
the concept of time
the nature of sound the boundaries of music. the relationship between performer and audience sound and space |
| gptkbp:genre |
experimental music
|
| https://www.w3.org/2000/01/rdf-schema#label |
Cage's Variations IV
|
| gptkbp:influenced |
gptkb:contemporary_art
gptkb:performance_art gptkb:conceptual_art gptkb:installation_art sound art postmodern music |
| gptkbp:influenced_by |
chance operations
|
| gptkbp:inspired_by |
gptkb:Buddhism
|
| gptkbp:notable_aspect |
audience participation
its improvisational elements multi-disciplinary approach |
| gptkbp:notable_feature |
spontaneity
use of indeterminacy open interpretation |
| gptkbp:notable_for |
its unpredictability
its innovative structure its collaborative nature its experimental nature |
| gptkbp:notable_performance |
1965 at the New York City Center
1964 at the Black Mountain College |
| gptkbp:notable_recordings |
Cage: Variations IV
|
| gptkbp:part_of |
American avant-garde music movement
Cage's Variations series |
| gptkbp:performed_by |
gptkb:Merce_Cunningham_Dance_Company
various artists various ensembles soloists and groups |
| gptkbp:performed_in |
various locations
various festivals the 1960s |
| gptkbp:premiere |
gptkb:1964
|
| gptkbp:related_to |
gptkb:Variations_III
gptkb:Variations_V Variations I |
| gptkbp:related_works |
Variations II
|
| gptkbp:score |
graphic score
|
| gptkbp:style |
avant-garde
|
| gptkbp:uses |
gptkb:musical_instruments
silence found objects graphic notation |
| gptkbp:uses_technology |
live electronics
|
| gptkbp:year_composed |
gptkb:1964
|
| gptkbp:bfsParent |
gptkb:The_New_Network_Exhibition_1966
gptkb:The_New_Network_Exhibition_1968 |
| gptkbp:bfsLayer |
5
|