|
gptkbp:instance_of
|
gptkb:musician
gptkb:musical_composition
gptkb:painting
gptkb:artwork
gptkb:character
|
|
gptkbp:acquired_by
|
private collector
|
|
gptkbp:active_years
|
1996–present
|
|
gptkbp:adapted_into
|
gptkb:theater_productions
|
|
gptkbp:affiliated_with
|
gptkb:Bushmaster
|
|
gptkbp:art_movement
|
Contemporary art
|
|
gptkbp:art_style
|
abstract expressionism
canvas painting
|
|
gptkbp:artistic_exploration
|
perception
the nature of art
|
|
gptkbp:artistic_expression
|
emotional response
viewer engagement
21st century art
|
|
gptkbp:artistic_influence
|
gptkb:conceptual_art
minimalism
influence on art theory
challenging traditional views
|
|
gptkbp:artistic_legacy
|
influence on contemporary artists
contemporary art discourse
|
|
gptkbp:artistic_philosophy
|
embracing chaos
|
|
gptkbp:artistic_technique
|
spontaneity
experimental
color field painting
gestural abstraction
|
|
gptkbp:artistic_vision
|
international acclaim
exploration of reality
non-representation
|
|
gptkbp:artwork
|
gptkb:canvas
mixed media
|
|
gptkbp:associated_act
|
gptkb:The_Weathermen
|
|
gptkbp:associated_with
|
avant-garde music
|
|
gptkbp:birth_date
|
1976-02-05
|
|
gptkbp:birth_place
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gptkb:New_York_City,_New_York,_USA
|
|
gptkbp:challenges
|
traditional music norms
|
|
gptkbp:collaborated_with
|
gptkb:Aesop_Rock
gptkb:Merce_Cunningham
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|
gptkbp:collaboration
|
with musicians
|
|
gptkbp:collection
|
gptkb:Tate_Modern
gptkb:Museum_of_Modern_Art
gptkb:Städel_Museum
|
|
gptkbp:color_palette
|
gptkb:Monochrome
monochrome
|
|
gptkbp:contributes_to
|
musical philosophy
|
|
gptkbp:created_by
|
gptkb:Gerhard_Richter
gptkb:John_Cage
|
|
gptkbp:cultural_significance
|
gptkb:postmodernism
|
|
gptkbp:description
|
A large-scale abstract painting.
Explores the relationship between chaos and order.
Utilizes a monochromatic color scheme.
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|
gptkbp:dimensions
|
200 x 200 cm
200 cm × 150 cm
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|
gptkbp:duration
|
4 minutes 33 seconds
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gptkbp:exhibited_at
|
gptkb:Venice_Biennale
|
|
gptkbp:exhibition
|
gptkb:Gerhard_Richter:_The_Life_of_Images
Gerhard Richter: Abstract Paintings
Gerhard Richter: Cage Exhibition
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gptkbp:exhibition_location
|
gptkb:Berlin
|
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gptkbp:exhibition_year
|
gptkb:2007
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|
gptkbp:explores
|
randomness
|
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gptkbp:first_appearance
|
gptkb:Luke_Cage_#1
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|
gptkbp:genre
|
hip hop
experimental music
|
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gptkbp:has_artwork
|
in collection
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Cage
|
|
gptkbp:influenced
|
modern music
|
|
gptkbp:influenced_artists
|
gptkb:Jackson_Pollock
gptkb:Mark_Rothko
|
|
gptkbp:influenced_by
|
gptkb:Buddhism
gptkb:John_Cage
|
|
gptkbp:inspiration
|
gptkb:Nature
gptkb:music
gptkb:philosophy
|
|
gptkbp:inspired
|
gptkb:performance_art
|
|
gptkbp:inspired_by
|
gptkb:music
|
|
gptkbp:is_associated_with
|
gptkb:New_York_School
|
|
gptkbp:is_available_in
|
sheet music
|
|
gptkbp:is_available_on
|
gptkb:recordings
|
|
gptkbp:is_celebrated_in
|
music festivals
|
|
gptkbp:is_cited_in
|
music literature
|
|
gptkbp:is_considered
|
a landmark in music history
a pivotal work in music.
|
|
gptkbp:is_discussed_in
|
academic papers
|
|
gptkbp:is_examined_in
|
musicology studies
|
|
gptkbp:is_explored_in
|
gptkb:documentaries
music historians
|
|
gptkbp:is_influenced_by
|
gptkb:Dadaism
|
|
gptkbp:is_influential_in
|
contemporary composers
|
|
gptkbp:is_part_of
|
gptkb:American_avant-garde
gptkb:cannon
20th-century music
|
|
gptkbp:is_recognized_by
|
music critics
|
|
gptkbp:is_referenced_in
|
pop culture
various art movements
|
|
gptkbp:is_studied_in
|
in music theory courses
|
|
gptkbp:label
|
Eastern Conference Records
|
|
gptkbp:location
|
gptkb:Germany
|
|
gptkbp:medium
|
gptkb:oil_on_canvas
Oil on canvas
|
|
gptkbp:narrative
|
between sound and silence
absence of narrative
|
|
gptkbp:notable_album
|
Movies for the Blind
|
|
gptkbp:notable_for
|
chance music
exploration of chance
|
|
gptkbp:notable_song
|
gptkb:Agent_Orange
|
|
gptkbp:notable_work
|
gptkb:Sonatas_and_Interludes
|
|
gptkbp:part_of_series
|
gptkb:Cage_series
|
|
gptkbp:performed_by
|
various artists
orchestras
|
|
gptkbp:performed_in
|
in concert halls
|
|
gptkbp:portrayed_by
|
gptkb:Mike_Colter
|
|
gptkbp:powers
|
durability
superhuman strength
|
|
gptkbp:premiered_on
|
August 29, 1952
|
|
gptkbp:published_in
|
Silva Publications
|
|
gptkbp:real_name
|
gptkb:Carl_Lucas
gptkb:Chris_Palko
|
|
gptkbp:signature
|
blurred imagery
|
|
gptkbp:significance
|
Highlights the tension between abstraction and representation.
Represents a pivotal moment in Richter's career.
|
|
gptkbp:style
|
abstract
non-traditional
|
|
gptkbp:symbolism
|
gptkb:void
|
|
gptkbp:technique
|
Layering
layering
Squeegee
squeegee painting
|
|
gptkbp:theme
|
gptkb:Chaos
gptkb:order
silence
|
|
gptkbp:themes
|
gptkb:existentialism
transience
|
|
gptkbp:uses
|
silence
|
|
gptkbp:year
|
gptkb:1952
|
|
gptkbp:year_created
|
gptkb:2006
|
|
gptkbp:bfsParent
|
gptkb:Gerhard_Richter
gptkb:The_Last_Emperor
|
|
gptkbp:bfsLayer
|
4
|