Statements (55)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
film
|
| gptkbp:awardedBy |
Best Feature Film at the 1980 Cannes Film Festival
|
| gptkbp:basedOn |
real-life experiences
|
| gptkbp:boxOffice |
$1 million
|
| gptkbp:characterDevelopment |
strong female lead
|
| gptkbp:colors |
Color
|
| gptkbp:criticalReception |
positive reviews
|
| gptkbp:culturalImpact |
depicts_African_American_struggles
|
| gptkbp:depicts |
community support
urban life motherhood racial tensions struggles of the poor |
| gptkbp:directedBy |
Euzhan_Palcy
|
| gptkbp:distributes |
gptkb:New_World_Pictures
|
| gptkbp:explores |
social issues
|
| gptkbp:features |
poetry
|
| gptkbp:filmingLocation |
gptkb:California
|
| gptkbp:follows |
a single mother
|
| gptkbp:genre |
drama
|
| https://www.w3.org/2000/01/rdf-schema#label |
Bush Mama
|
| gptkbp:influenced |
gptkb:African_American_cinema
narrative style film festivals cultural representation cultural studies film criticism independent films character arcs documentary filmmaking subsequent filmmakers storytelling techniques cinematic language women filmmakers social justice narratives |
| gptkbp:influencedBy |
gptkb:French_New_Wave
|
| gptkbp:inspiration |
social movements
|
| gptkbp:language |
English
|
| gptkbp:musicBy |
gptkb:Miriam_Makeba
|
| gptkbp:notableFeature |
family reunion
courtroom scene protest scene |
| gptkbp:producedBy |
Euzhan_Palcy
|
| gptkbp:releasedIn |
1979
|
| gptkbp:runtime |
90 minutes
|
| gptkbp:screenplayBy |
Euzhan_Palcy
|
| gptkbp:setIn |
gptkb:Los_Angeles
|
| gptkbp:starring |
gptkb:Carmen_de_Lavallade
gptkb:Angela_Bassett Tommy_Hollis |
| gptkbp:theme |
family
community identity resilience poverty |