|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Rise_of_the_Runelords
gptkb:V._I._Warshawski
gptkb:Fire_Cultists
|
|
gptkbp:adaptation
|
gptkb:1976
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:audience
|
negative reviews
|
|
gptkbp:author
|
gptkb:Robert_Marasco
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:box_office
|
$2.5 million
$1 million
|
|
gptkbp:cast
|
gptkb:Anthony_James
gptkb:Burgess_Meredith
gptkb:Oliver_Reed
gptkb:Eileen_Heckart
gptkb:Karen_Black
|
|
gptkbp:cinematography
|
gptkb:Robert_F._Boyle
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:cover_art
|
gptkb:Richard_Amsel
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
cult following
|
|
gptkbp:director
|
gptkb:Dan_Curtis
|
|
gptkbp:filmography
|
120 minutes
Michael Mc Croskey
|
|
gptkbp:genre
|
gptkb:Bob_Cobert
gptkb:film
gothic fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Burnt Offerings
|
|
gptkbp:influenced
|
gptkb:Stephen_King
gptkb:film
horror literature
|
|
gptkbp:influenced_by
|
gptkb:Edgar_Allan_Poe
|
|
gptkbp:isbn
|
978-0-385-04212-0
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
Marion Rolf
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:next_edition
|
gptkb:1973
|
|
gptkbp:notable_quote
|
" The house was alive."
|
|
gptkbp:page_count
|
256
|
|
gptkbp:plot_summary
|
A family moves into a house with a dark past.
|
|
gptkbp:production_company
|
gptkb:Universal_Pictures
|
|
gptkbp:published_by
|
gptkb:1973
|
|
gptkbp:publisher
|
gptkb:Doubleday
|
|
gptkbp:related_works
|
gptkb:Burnt_Offerings:_The_Movie
|
|
gptkbp:release_year
|
gptkb:1976
|
|
gptkbp:role
|
gptkb:superhero
|
|
gptkbp:screenplay_by
|
gptkb:William_F._Nolan
|
|
gptkbp:sequel
|
gptkb:none
|
|
gptkbp:setting
|
a haunted house
|
|
gptkbp:theme
|
supernatural
|
|
gptkbp:themes
|
isolation
paranoia
family dynamics
loss of control
fear of the unknown
|