|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:theatrical_performances
|
|
gptkbp:author
|
gptkb:Hannah_Kent
|
|
gptkbp:awards
|
gptkb:Australian_Book_Industry_Awards
Debut Novel Award
|
|
gptkbp:based_on
|
true events
|
|
gptkbp:book_series
|
standalone
|
|
gptkbp:character_arc
|
redemption arc
tragic arc
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:conflict
|
gptkb:murder
gptkb:social_stigma
class struggle
|
|
gptkbp:cover_artist
|
Katherine W. H. Lee
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
Icelandic heritage
exploration of women's roles
discussion of capital punishment
|
|
gptkbp:first_edition
|
gptkb:2013
|
|
gptkbp:first_published
|
popular
|
|
gptkbp:genre
|
gptkb:historical_fiction
|
|
gptkbp:historical_figures
|
Sigríður Guðmundsdóttir
Agnes Magnúsdóttir
Natan Ketilsson
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Burial Rites
|
|
gptkbp:influences
|
Nordic culture
Icelandic history
|
|
gptkbp:inspiration
|
real-life execution
|
|
gptkbp:isbn
|
978-1743311200
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
Agnes Magnúsdóttir
|
|
gptkbp:narrative_style
|
first-person
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:protagonist
|
gptkb:Female
|
|
gptkbp:published
|
gptkb:2013
|
|
gptkbp:publisher
|
gptkb:Pan_Macmillan
|
|
gptkbp:reader_demographic
|
adult
|
|
gptkbp:reviews
|
gptkb:The_Sydney_Morning_Herald
gptkb:The_Guardian
gptkb:The_New_York_Times
gptkb:The_Independent
The Age
|
|
gptkbp:set_in
|
gptkb:Iceland
|
|
gptkbp:setting
|
gptkb:19th_century
rural Iceland
|
|
gptkbp:symbolism
|
gptkb:death
gptkb:identity
nature
isolation
forgiveness
|
|
gptkbp:themes
|
gptkb:identity
isolation
redemption
guilt
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:bfsParent
|
gptkb:Egypt
|
|
gptkbp:bfsLayer
|
4
|