|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:award
|
gptkb:Edgar_Award_for_Best_Motion_Picture_Screenplay
|
|
gptkbp:basedOn
|
gptkb:Mute_Witness_by_Robert_L._Fish
|
|
gptkbp:boxOfficeGross
|
$42.3 million
|
|
gptkbp:budget
|
$5.5 million
|
|
gptkbp:cinematography
|
gptkb:William_A._Fraker
|
|
gptkbp:colorProcess
|
gptkb:Technicolor
|
|
gptkbp:countryOfOrigin
|
gptkb:United_States
|
|
gptkbp:director
|
gptkb:Peter_Yates
|
|
gptkbp:distributedBy
|
gptkb:United_States
gptkb:Warner_Bros.
|
|
gptkbp:distributor
|
gptkb:Warner_Bros.-Seven_Arts
|
|
gptkbp:editingBy
|
gptkb:Frank_P._Keller
|
|
gptkbp:editor
|
gptkb:Frank_P._Keller
|
|
gptkbp:filmingLocation
|
gptkb:San_Francisco
|
|
gptkbp:genre
|
gptkb:action
gptkb:crime
thriller
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Bullitt (film)
|
|
gptkbp:language
|
English
|
|
gptkbp:mainCharacter
|
gptkb:Steve_McQueen
gptkb:Frank_Bullitt
|
|
gptkbp:musicBy
|
gptkb:Lalo_Schifrin
|
|
gptkbp:nominatedFor
|
gptkb:Academy_Award_for_Best_Film_Editing
gptkb:Academy_Award_for_Best_Sound
gptkb:Best_Film_Editing
gptkb:Frank_P._Keller
|
|
gptkbp:notableFor
|
car chase scene
|
|
gptkbp:posterArtist
|
gptkb:Bill_Gold
|
|
gptkbp:producer
|
gptkb:Philip_D'Antoni
|
|
gptkbp:productionCompany
|
gptkb:Warner_Bros.-Seven_Arts
gptkb:Solar_Productions
|
|
gptkbp:rating
|
PG
|
|
gptkbp:releaseDate
|
October 17, 1968
|
|
gptkbp:releaseYear
|
1968
|
|
gptkbp:runtime
|
114 minutes
|
|
gptkbp:screenwriter
|
gptkb:Harry_Kleiner
gptkb:Alan_R._Trustman
|
|
gptkbp:sequel
|
none
|
|
gptkbp:setIn
|
gptkb:San_Francisco
|
|
gptkbp:starring
|
gptkb:Steve_McQueen
gptkb:Robert_Vaughn
gptkb:Jacqueline_Bisset
gptkb:Don_Gordon
gptkb:Simon_Oakland
|
|
gptkbp:theme
|
corruption
witness protection
police procedural
|
|
gptkbp:vehicleFeatured
|
gptkb:1968_Dodge_Charger_R/T
gptkb:1968_Ford_Mustang_GT_390_Fastback
|
|
gptkbp:bfsParent
|
gptkb:Ford_Mustang
|
|
gptkbp:bfsLayer
|
4
|