|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
gptkb:Abstract_Expressionism
|
|
gptkbp:aspect_ratio
|
1.85:1
|
|
gptkbp:audience
|
varied opinions
|
|
gptkbp:available_on
|
gptkb:DVD
gptkb:Blu-ray
|
|
gptkbp:awards
|
gptkb:none
Best Drama
none known
|
|
gptkbp:based_on
|
The Chink and the Child
|
|
gptkbp:box_office
|
$1.2 million
$1 million
|
|
gptkbp:budget
|
$1.5 million
|
|
gptkbp:censorship
|
controversial themes
|
|
gptkbp:character
|
gptkb:Battling_Burrows
gptkb:Lucy
Cheng Huan
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:cinematography
|
gptkb:Jane_Doe
gptkb:David_A._Smith
gptkb:G._W._Bitzer
|
|
gptkbp:cinematography_by
|
gptkb:G._W._Bitzer
|
|
gptkbp:color
|
black and white
black-and-white
|
|
gptkbp:costume_design
|
gptkb:Sarah_Green
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
positive
mixed
mixed reviews
|
|
gptkbp:criticism
|
analyzed for themes
|
|
gptkbp:cultural_impact
|
influenced later films
influential in film history
|
|
gptkbp:cultural_references
|
referenced in other media
|
|
gptkbp:cultural_significance
|
depicts social issues
exploration of social issues
early representation of Asian characters
pioneering narrative style
|
|
gptkbp:depicts
|
East-West relations
child abuse
love across cultures
|
|
gptkbp:design
|
gptkb:Emily_White
|
|
gptkbp:directed_by
|
gptkb:D._W._Griffith
|
|
gptkbp:director
|
gptkb:David_A._Smith
gptkb:D._W._Griffith
|
|
gptkbp:distributor
|
gptkb:United_Artists
gptkb:XYZ_Films
Smith Distribution
|
|
gptkbp:edited_by
|
gptkb:D._W._Griffith
|
|
gptkbp:editing
|
continuity editing
|
|
gptkbp:editor
|
gptkb:Mark_Johnson
gptkb:David_A._Smith
|
|
gptkbp:film_editing
|
gptkb:Mark_Johnson
gptkb:D._W._Griffith
|
|
gptkbp:film_festival
|
gptkb:none
gptkb:Cannes_Film_Festival
gptkb:New_York_Film_Festival
|
|
gptkbp:film_length
|
90 minutes
|
|
gptkbp:film_score
|
gptkb:John_Smith
gptkb:Joseph_Carl_Breil
|
|
gptkbp:film_technique
|
symbolism
close-ups
cross-cutting
|
|
gptkbp:filming_location
|
gptkb:California
gptkb:New_York_City
|
|
gptkbp:filmography
|
studied in film schools
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:has_been_restored
|
2010 restoration
|
|
gptkbp:historical_context
|
gptkb:Great_Depression
silent film era
post-World War I America
|
|
gptkbp:historical_significance
|
reflects societal issues of the time
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Broken Blossoms
|
|
gptkbp:influenced
|
later filmmakers
|
|
gptkbp:influenced_by
|
gptkb:The_Birth_of_a_Nation
Chinese culture
silent film era
the works of Jack London
the works of Thomas Hardy
the works of Zane Grey
|
|
gptkbp:influences
|
expressionism
social realism
silent films
|
|
gptkbp:inspiration
|
later romantic dramas
|
|
gptkbp:is_set_in
|
gptkb:unknown
|
|
gptkbp:language
|
gptkb:film
English
|
|
gptkbp:legacy
|
considered a classic
influenced film directors
|
|
gptkbp:main_actor
|
gptkb:John_Doe
gptkb:Jane_Roe
|
|
gptkbp:main_character
|
gptkb:Lucy
Brittle
|
|
gptkbp:makeup_artist
|
gptkb:Lisa_Black
|
|
gptkbp:music
|
gptkb:Joseph_Carl_Breil
|
|
gptkbp:music_by
|
gptkb:Joseph_Carl_Breil
|
|
gptkbp:music_composer
|
gptkb:John_Smith
gptkb:David_A._Smith
|
|
gptkbp:narrative_style
|
linear
|
|
gptkbp:notable_awards
|
gptkb:none
|
|
gptkbp:notable_quote
|
" Love is stronger than hate."
" Love is the only thing that can save us."
|
|
gptkbp:notable_scene
|
the ending scene
the fight scene
the flower scene
|
|
gptkbp:premiere
|
gptkb:New_York_City
|
|
gptkbp:premiere_location
|
gptkb:New_York_City
|
|
gptkbp:production_company
|
gptkb:Griffith_Productions
gptkb:Smith_Productions
|
|
gptkbp:rating
|
gptkb:PG
|
|
gptkbp:release_country
|
gptkb:USA
|
|
gptkbp:release_date
|
gptkb:1970
1936
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1973
|
|
gptkbp:released_in
|
1919
|
|
gptkbp:remake
|
gptkb:none
Broken Blossoms (1936)
Broken Blossoms (1970)
|
|
gptkbp:restoration
|
yes
ongoing
important for history
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay
|
gptkb:D._W._Griffith
|
|
gptkbp:screenplay_by
|
gptkb:Alice_Brown
|
|
gptkbp:sequel
|
gptkb:none
|
|
gptkbp:setting
|
gptkb:London
|
|
gptkbp:sound_design
|
gptkb:Tom_Brown
silent film techniques
|
|
gptkbp:soundtrack
|
gptkb:original_score
|
|
gptkbp:starring
|
gptkb:Richard_Barthelmess
gptkb:Lillian_Gish
gptkb:Donald_Crisp
|
|
gptkbp:theme
|
love
racism
redemption
violence
abuse
|
|
gptkbp:themes
|
love
racism
redemption
violence
abuse
|
|
gptkbp:trivia
|
based on a short story.
explores themes of compassion.
features a child actor.
set in early 20th century.
shot in black and white.
|
|
gptkbp:visitors
|
silent film experience
|
|
gptkbp:visual_effects
|
gptkb:none
|
|
gptkbp:bfsParent
|
gptkb:David_Wark_Griffith
|
|
gptkbp:bfsLayer
|
5
|