Statements (66)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_group
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:The_1982_Hot_Space_Tour
|
| gptkbp:associated_with |
gptkb:Monarch
|
| gptkbp:collaborations |
gptkb:Roger_Taylor
gptkb:Freddie_Mercury gptkb:John_Deacon |
| gptkbp:features |
effects pedals
multi-tracking layered guitar tracks |
| https://www.w3.org/2000/01/rdf-schema#label |
Brian May's guitar solos
|
| gptkbp:includes |
' Bohemian Rhapsody' solo
' Don't Stop Me Now' solo ' Fat Bottomed Girls' solo ' I Want It All' solo ' It's a Hard Life' solo ' Killer Queen' solo ' Now I'm Here' solo ' Radio Ga Ga' solo ' Somebody to Love' solo ' Stone Cold Crazy' solo ' The March of the Black Queen' solo ' The Show Must Go On' solo ' Tie Your Mother Down' solo ' We Will Rock You' solo |
| gptkbp:influence |
heavy metal music
alternative rock music progressive rock music |
| gptkbp:influenced_by |
gptkb:band
|
| gptkbp:inspired |
many guitarists
|
| gptkbp:is_characterized_by |
harmonies
|
| gptkbp:is_often_associated_with |
improvisation
theatricality classical elements melodic lines |
| gptkbp:is_often_used_in |
polyrhythms
dissonance counterpoint thematic development syncopation vibrato chord progressions palm muting tempo changes sustained notes textural contrast musical motifs time signature changes dynamic contrast feedback techniques melodic phrasing rhythmic variation string bending octave playing harmonic techniques key changes tapping techniques slide techniques |
| gptkbp:is_recognized_by |
rock history
|
| gptkbp:known_for |
signature tone
|
| gptkbp:live_performance |
during concerts
|
| gptkbp:notable_features |
dynamic range
vocal harmonies |
| gptkbp:notable_for |
unique sound
|
| gptkbp:performed_by |
gptkb:Brian_May
|
| gptkbp:utilizes |
custom guitar
|