Statements (60)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:collaboration
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Kit_Kat_Club
|
| gptkbp:associated_with |
gptkb:Kurt_Weill
gptkb:Bertolt_Brecht leftist politics exile in the United States the Berlin theater scene |
| gptkbp:collaborated_with |
gptkb:The_Rise_and_Fall_of_the_City_of_Mahagonny
gptkb:The_Seven_Deadly_Sins |
| gptkbp:created |
gptkb:The_Threepenny_Opera
gptkb:Happy_End |
| https://www.w3.org/2000/01/rdf-schema#label |
Brecht and Weill
|
| gptkbp:influenced |
gptkb:opera
avant-garde music musical genres Brechtian theater contemporary composers experimental theater theater directors theater music theater movements musical theater writers Weimar Republic culture |
| gptkbp:inspired |
gptkb:modern_musical_theater
|
| gptkbp:is_active_in |
gptkb:20th_century
|
| gptkbp:known_for |
gptkb:musical
gptkb:collaboration gptkb:theatre gptkb:Theater_of_the_Absurd social commentary cultural impact lyrical innovation artistic innovation cultural dialogue collaborative works musical adaptations cultural critique musical storytelling musical numbers lyrical depth theatrical storytelling political theater theatrical innovation theatrical techniques theatrical experimentation musical experimentation dramatic structure musical storytelling techniques |
| gptkbp:performed_by |
gptkb:Borough
gptkb:Berlin gptkb:Paris gptkb:Vienna |
| gptkbp:themes |
alienation
social issues class struggle capitalism |
| gptkbp:utilizes |
gptkb:comic_book
irony cabaret style |