|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:awarded
|
gptkb:Academy_Award_for_Best_Picture
gptkb:Los_Angeles_Film_Critics_Association_Award_for_Best_Picture
|
|
gptkbp:boxOfficeGross
|
$9.9 million (US)
|
|
gptkbp:budget
|
$15 million
|
|
gptkbp:cinematography
|
gptkb:Roger_Pratt
|
|
gptkbp:countryOfOrigin
|
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:director
|
gptkb:Terry_Gilliam
|
|
gptkbp:distributedBy
|
gptkb:20th_Century_Fox
gptkb:Universal_Pictures
|
|
gptkbp:editingBy
|
gptkb:Julian_Doyle
|
|
gptkbp:filmingLocation
|
gptkb:London
gptkb:Elstree_Studios
|
|
gptkbp:genre
|
gptkb:science_fiction
black comedy
dystopian
|
|
gptkbp:hasTheme
|
gptkb:technology
individualism
bureaucracy
dreams
totalitarianism
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Brazil (1985)
|
|
gptkbp:influencedBy
|
gptkb:Nineteen_Eighty-Four
|
|
gptkbp:language
|
English
|
|
gptkbp:musicBy
|
gptkb:Michael_Kamen
|
|
gptkbp:nominatedFor
|
gptkb:Academy_Award_for_Best_Original_Score
gptkb:Academy_Award_for_Best_Picture
gptkb:Academy_Award_for_Best_Original_Screenplay
|
|
gptkbp:notableSong
|
gptkb:Aquarela_do_Brasil
|
|
gptkbp:posterArtist
|
Lynda Gray
|
|
gptkbp:producer
|
gptkb:Patrick_Cassavetti
gptkb:Arnon_Milchan
gptkb:Terry_Gilliam
gptkb:Thomas_Schühly
|
|
gptkbp:productionCompany
|
gptkb:Universal_Pictures
gptkb:Embassy_International_Pictures
|
|
gptkbp:releaseDate
|
20 February 1985
|
|
gptkbp:runtime
|
132 minutes
|
|
gptkbp:setIn
|
fictional totalitarian state
|
|
gptkbp:starring
|
gptkb:Michael_Palin
gptkb:Ian_Holm
gptkb:Jonathan_Pryce
gptkb:Robert_De_Niro
gptkb:Bob_Hoskins
gptkb:Katherine_Helmond
gptkb:Kim_Greist
|
|
gptkbp:writer
|
gptkb:Tom_Stoppard
gptkb:Terry_Gilliam
gptkb:Charles_McKeown
|
|
gptkbp:bfsParent
|
gptkb:Battleship_Potemkin_Odessa_Steps_sequence
|
|
gptkbp:bfsLayer
|
8
|