Statements (68)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:adaptations |
adapted for different instruments
|
| gptkbp:arrangements |
arranged for various ensembles
|
| gptkbp:artistic_influence |
influenced by Beethoven and Schubert
influenced by German folk music traditions |
| gptkbp:artistic_legacy |
remains influential in contemporary chamber music.
|
| gptkbp:audience |
popular among audiences
|
| gptkbp:challenges |
presents challenges for performers
|
| gptkbp:character |
lyrical and dramatic
|
| gptkbp:composer |
gptkb:Johannes_Brahms
|
| gptkbp:critical_reception |
generally well-received by critics
|
| gptkbp:cultural_heritage |
part of Western classical music heritage
|
| gptkbp:cultural_impact |
performed in major concert halls worldwide
|
| gptkbp:cultural_significance |
reflects the Romantic era's musical ideals
|
| gptkbp:dedication |
to Clara Schumann
|
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:educational_use |
often studied in music schools
|
| gptkbp:form |
sonata form in first movement
|
| gptkbp:genre |
gptkb:chamber_music
|
| gptkbp:historical_context |
composed during Brahms' early career
|
| gptkbp:influence |
influenced later chamber music composers
|
| gptkbp:influenced |
influenced the development of piano quartets
|
| gptkbp:inspiration |
inspired by Brahms' love for folk music
|
| gptkbp:instruments |
gptkb:piano
gptkb:viola gptkb:violin gptkb:cello |
| gptkbp:key |
C minor
|
| gptkbp:legacy |
remains a significant work in the chamber music canon
|
| gptkbp:music_style |
frequently analyzed in musicology
uses counterpoint and thematic development complex musical structure rich in emotional expression |
| gptkbp:musical_contrasts |
contrasts between lyrical and vigorous sections
|
| gptkbp:musical_development |
develops themes throughout the movements
|
| gptkbp:musical_dynamics |
features dynamic contrasts
|
| gptkbp:musical_phrases |
characterized by long musical phrases
|
| gptkbp:musical_textures |
explores varied musical textures
|
| gptkbp:narrative |
creates a dialogue between instruments
|
| gptkbp:notable_interpreters |
interpreted by renowned musicians
|
| gptkbp:notable_performances |
performed at major music festivals
performed in historical concerts performed by many chamber ensembles |
| gptkbp:notable_recordings |
recorded by the Beaux Arts Trio
|
| gptkbp:number_of_movements |
gptkb:4
|
| gptkbp:performance |
often performed in a variety of interpretations
|
| gptkbp:performance_tradition |
has a rich performance tradition
|
| gptkbp:performance_venue |
performed in various venues worldwide
|
| gptkbp:premiere |
1862
|
| gptkbp:published_by |
Simrock
|
| gptkbp:record_label |
recorded by various record labels
|
| gptkbp:recordings |
numerous recordings available
|
| gptkbp:second_movement |
gptkb:Allegro
gptkb:Andante gptkb:Scherzo Rondo |
| gptkbp:significance |
considered a staple of the chamber music repertoire
|
| gptkbp:style |
Romantic
|
| gptkbp:thematic_element |
features rich harmonic language
|
| gptkbp:theme |
utilizes distinctive musical motifs
features recurring musical themes integrates folk-like themes |
| gptkbp:year_composed |
1861
|
| gptkbp:bfsParent |
gptkb:Rudolf_Serkin
gptkb:Murray_Perahia gptkb:Andreas_Staier gptkb:Evgeny_Kissin |
| gptkbp:bfsLayer |
5
|