|
gptkbp:instance_of
|
gptkb:band
gptkb:song
gptkb:film
|
|
gptkbp:active_years
|
1985-1990
1985-1989
|
|
gptkbp:album
|
gptkb:The_Head_on_the_Door
gptkb:Kiss_Me,_Kiss_Me,_Kiss_Me
gptkb:Boys_Don't_Cry_(1986)
|
|
gptkbp:artist
|
gptkb:The_Cure
|
|
gptkbp:artistic_influence
|
Post-punk sound
|
|
gptkbp:associated_act
|
gptkb:The_Cure
|
|
gptkbp:associated_acts
|
gptkb:The_Bouncing_Souls
|
|
gptkbp:associated_with
|
gptkb:The_Cure
Goth subculture
|
|
gptkbp:audience
|
Audience score of 78% on Rotten Tomatoes.
|
|
gptkbp:awards
|
gptkb:Independent_Spirit_Award_for_Best_Feature
gptkb:Academy_Award_for_Best_Actress
gptkb:Best_Actress
gptkb:Golden_Globe_Award_for_Best_Actress
gptkb:N/_A
Nominated for several
|
|
gptkbp:based_on
|
gptkb:Brandon_Teena
true story
the life of Brandon Teena
|
|
gptkbp:box_office
|
$11.5 million
$20 million
$11 million
|
|
gptkbp:budget
|
$2 million
|
|
gptkbp:character
|
gptkb:John_Lotter
gptkb:Tom_Nissen
gptkb:Brandon_Teena
gptkb:Lana_Tisdel
Brandon Teena.
John Lotter.
Lana Tisdel.
Tom Nissen.
Lana's mother
|
|
gptkbp:chart_position
|
#1 in the UK
#1 in the UK Singles Chart
|
|
gptkbp:chloë_sevigny
|
nominated for Academy Award for Best Supporting Actress
|
|
gptkbp:cinematography
|
gptkb:Larry_Smith
|
|
gptkbp:cinematography_by
|
gptkb:Larry_Smith
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:cover_art
|
Artwork by Parched Art
|
|
gptkbp:cover_version
|
gptkb:Various_artists
|
|
gptkbp:covered_by
|
gptkb:The_Smashing_Pumpkins
|
|
gptkbp:critical_reception
|
Positive
positive
positive reviews
Positive reviews from critics.
|
|
gptkbp:cultural_impact
|
gptkb:LGBTQ+_representation
gptkb:Significant
LGBTQ representation
influence on future films
awareness of hate crimes
discussion of gender roles
Influential in LGBTQ+ cinema.
Considered an anthem for emotional expression
|
|
gptkbp:cultural_significance
|
gptkb:cultists
gptkb:High
critically acclaimed
Considered a landmark film.
|
|
gptkbp:directed_by
|
gptkb:Kimberly_Peirce
|
|
gptkbp:director
|
gptkb:Kimberly_Peirce
|
|
gptkbp:disbanded
|
gptkb:1989
|
|
gptkbp:distributor
|
gptkb:Fox_Searchlight_Pictures
|
|
gptkbp:documentary
|
gptkb:Yes
|
|
gptkbp:edited_by
|
gptkb:Richard_Halsey
|
|
gptkbp:editing
|
gptkb:Susan_E._Morse
gptkb:Jennifer_Lee
gptkb:Richard_Halsey
|
|
gptkbp:fan_base
|
gptkb:Dedicated
|
|
gptkbp:fan_favorite
|
gptkb:Yes
|
|
gptkbp:featured_in
|
Various TV shows
|
|
gptkbp:film_appearance
|
gptkb:The_Perks_of_Being_a_Wallflower
gptkb:Yes
|
|
gptkbp:film_festival
|
gptkb:AFI_Fest
gptkb:Berlin_International_Film_Festival
gptkb:Sundance_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:New_York_Film_Festival
|
|
gptkbp:filming_location
|
gptkb:Nebraska
gptkb:South_Dakota
Falls City, Nebraska.
Lincoln, Nebraska.
|
|
gptkbp:genre
|
Post-punk
new wave
post-punk
biographical drama
|
|
gptkbp:hilary_swank
|
won Academy Award for Best Actress
|
|
gptkbp:home_media_release
|
gptkb:2000
gptkb:2005
gptkb:2008
gptkb:2015
Blu-ray release in 2010.
DVD release in 2000.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Boys Don't Cry
|
|
gptkbp:influenced
|
Many artists
Emo music
Future LGBTQ+ films.
|
|
gptkbp:influenced_artists
|
gptkb:David_Bowie
gptkb:My_Chemical_Romance
New wave
|
|
gptkbp:influenced_by
|
gptkb:activists
gptkb:Brandon_Teena
gptkb:cinema
gptkb:narrative_structure
gptkb:Nebraska
gptkb:character_development
gptkb:historical_context
gptkb:social_justice
gptkb:feminism
Punk rock
Gothic rock
gender studies
realism
film festivals
artistic expression
critical theory
cultural significance
social commentary
audience engagement
emotional depth
real-life events
media studies
character arcs
emotional resonance
rural America
cultural critique
film analysis
queer theory
narrative themes
1990s culture
cinematic storytelling
transgender issues
1993 murder case
Books on gender identity.
Documentaries about transgender issues.
Real-life events surrounding Brandon Teena.
Brandon Teena's life
|
|
gptkbp:influences
|
Gothic rock
|
|
gptkbp:inspiration
|
Personal experiences
gender studies
film studies
LGBTQ+ activism
social justice movements
Brandon Teena's life.
Personal experiences of Robert Smith
|
|
gptkbp:is_acclaimed_for
|
gptkb:true
|
|
gptkbp:is_popular_in
|
gptkb:Yes
|
|
gptkbp:label
|
Fiction Records
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
influential film
awareness of transgender issues
Iconic song of the 1980s
Continues to be studied in film and gender studies.
discussion of gender norms
|
|
gptkbp:length
|
3:35
|
|
gptkbp:live_performance
|
gptkb:Yes
gptkb:Live_at_the_Royal_Albert_Hall
Performed at Glastonbury Festival
|
|
gptkbp:lyrical_themes
|
Vulnerability
|
|
gptkbp:lyricist
|
gptkb:Robert_Smith
|
|
gptkbp:members
|
gptkb:Nick_Beggs
Mick Bund
John Mc Ghee
Simon Edwards
|
|
gptkbp:metacritic_score
|
86%
Rotten Tomatoes score of 86%.
|
|
gptkbp:movement
|
Goth subculture
|
|
gptkbp:music
|
gptkb:Anne_Dudley
|
|
gptkbp:music_by
|
gptkb:Anne_Dudley
|
|
gptkbp:music_composer
|
gptkb:Anne_Dudley
|
|
gptkbp:music_genre
|
Alternative rock
New wave
|
|
gptkbp:music_style
|
Alternative rock
Melodic
Verse-Chorus
|
|
gptkbp:music_video
|
gptkb:Yes
|
|
gptkbp:next_album
|
gptkb:Just_Like_Heaven
gptkb:The_Walk
|
|
gptkbp:notable_cover
|
Cover by The Killers
|
|
gptkbp:notable_games
|
gptkb:Yes
|
|
gptkbp:notable_performance
|
gptkb:Live_Aid_1985
|
|
gptkbp:notable_quote
|
“ I just want to be me.”
“ I’m not a girl.”
“ You can’t be who you are.”
|
|
gptkbp:notable_song
|
gptkb:I_Want_to_Be_a_Cowboy
' I tried to hold on to a piece of my past'
' I tried to hold on to a time when I was still in control'
|
|
gptkbp:notable_songs
|
gptkb:I_Wanna_Be_a_Cowboy
|
|
gptkbp:origin
|
gptkb:United_Kingdom
|
|
gptkbp:performed_at
|
gptkb:Reading_Festival
|
|
gptkbp:performed_by
|
gptkb:The_Cure
|
|
gptkbp:performed_in
|
gptkb:Many_times
|
|
gptkbp:plot
|
The film depicts the life of Brandon Teena.
|
|
gptkbp:premiere
|
gptkb:Sundance_Film_Festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:previous_album
|
gptkb:A_Night_Like_This
gptkb:In_Between_Days
|
|
gptkbp:produced_by
|
Gina Kwon
|
|
gptkbp:producer
|
gptkb:David_E._Allen
gptkb:Mike_Hedges
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:record_label
|
Fiction Records
|
|
gptkbp:recorded_by
|
gptkb:The_Cure
|
|
gptkbp:recorded_in
|
gptkb:1986
|
|
gptkbp:recording_location
|
gptkb:Utopia_Studios
|
|
gptkbp:release_country
|
gptkb:UK
gptkb:USA
gptkb:United_States
|
|
gptkbp:release_date
|
gptkb:2007
1999-01-01
|
|
gptkbp:release_format
|
gptkb:DVD
gptkb:Blu-ray
gptkb:Vinyl
gptkb:single
Theatrical release.
|
|
gptkbp:release_year
|
gptkb:1986
gptkb:1987
gptkb:1999
|
|
gptkbp:released
|
gptkb:music_production
|
|
gptkbp:released_as_single
|
gptkb:Yes
|
|
gptkbp:released_in
|
gptkb:1999
gptkb:UK
|
|
gptkbp:remastered
|
gptkb:Yes
|
|
gptkbp:remix
|
gptkb:Yes
|
|
gptkbp:runtime
|
118 minutes
|
|
gptkbp:sampled_in
|
gptkb:Various_artists
|
|
gptkbp:screenplay
|
gptkb:Kimberly_Peirce
gptkb:Andy_Bienen
|
|
gptkbp:screenplay_by
|
gptkb:Kimberly_Peirce
|
|
gptkbp:set_in
|
gptkb:Nebraska
|
|
gptkbp:setting
|
Nebraska.
|
|
gptkbp:songwriters
|
Robert Smith, Simon Gallup, Porl Thompson
|
|
gptkbp:soundtrack
|
Various films
various artists
Includes various artists.
|
|
gptkbp:starring
|
gptkb:Hilary_Swank
gptkb:Chloë_Sevigny
|
|
gptkbp:subject_matter
|
gptkb:cultural_identity
gptkb:LGBTQ+_community
discrimination
violence
|
|
gptkbp:theme
|
gptkb:cultural_identity
gptkb:betrayal
gptkb:friendship
love
violence
gender roles
Emotional struggle
|
|
gptkbp:themes
|
gptkb:cultural_identity
gptkb:LGBTQ+_community
violence
Love and acceptance.
Gender identity.
Violence against transgender individuals.
|
|
gptkbp:writer
|
gptkb:Robert_Smith
|
|
gptkbp:bfsParent
|
gptkb:The_Singles_1984-1989
gptkb:Carola_Häggkvist
gptkb:Blonde
gptkb:Lil_Tjay
gptkb:MØ
gptkb:The_Cure
gptkb:The_X_Factor_UK
gptkb:Camila_Cabello
gptkb:Wale
gptkb:Robert_Smith
gptkb:Samantha_Fox
gptkb:The_X_Factor
gptkb:Desiigner
gptkb:Måns_Zelmerlöw
gptkb:The_Fate_of_the_Furious_soundtrack
|
|
gptkbp:bfsLayer
|
4
|