|
gptkbp:instance_of
|
gptkb:song
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Lana_Del_Rey
gptkb:David_Lynch
gptkb:Tony_Bennett
|
|
gptkbp:adapted_into
|
gptkb:none
original screenplay by David Lynch
|
|
gptkbp:album
|
gptkb:Blue_Velvet_(album)
|
|
gptkbp:artist
|
gptkb:Bobby_Vinton
gptkb:Tony_Bennett
gptkb:theorem
|
|
gptkbp:awards
|
gptkb:Cannes_Film_Festival_Best_Director
gptkb:National_Board_of_Review_Best_Film
gptkb:Los_Angeles_Film_Critics_Association_Best_Director
Best Director at Cannes Film Festival
|
|
gptkbp:box_office
|
$8.6 million
|
|
gptkbp:budget
|
$6 million
|
|
gptkbp:character
|
gptkb:Sandy_Williams
gptkb:Dorothy_Vallens
gptkb:Frank_Booth
gptkb:Jeffrey_Beaumont
gptkb:Ben
gptkb:Don
Mrs. Beaumont
Detective Williams
Dr. Mc Rae
|
|
gptkbp:character_appearance
|
gptkb:theorem
|
|
gptkbp:chart_position
|
#1 on Billboard Hot 100
|
|
gptkbp:cinematography
|
gptkb:Frederick_Elmes
gptkb:theorem
|
|
gptkbp:contains
|
surreal imagery
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:covered_by
|
gptkb:Lana_Del_Rey
gptkb:Tony_Bennett
gptkb:The_Clovers
|
|
gptkbp:critical_reception
|
Cult classic
mixed to positive
|
|
gptkbp:cultural_impact
|
gptkb:theorem
Referenced in popular culture
featured in films and TV shows
Influenced filmmakers
|
|
gptkbp:design
|
gptkb:theorem
|
|
gptkbp:directed_by
|
gptkb:David_Lynch
|
|
gptkbp:director
|
gptkb:David_Lynch
|
|
gptkbp:distribution
|
gptkb:De_Laurentiis_Entertainment_Group
|
|
gptkbp:distributor
|
gptkb:De_Laurentiis_Entertainment_Group
|
|
gptkbp:edited_by
|
gptkb:Mary_Sweeney
gptkb:theorem
|
|
gptkbp:explores
|
dark themes
themes of sexuality
themes of violence
themes of voyeurism
|
|
gptkbp:features
|
a severed ear
the song ' Blue Velvet' by Bobby Vinton
|
|
gptkbp:filming_location
|
gptkb:Wilmington,_North_Carolina
gptkb:North_Carolina
|
|
gptkbp:follows
|
gptkb:Jeffrey_Beaumont
|
|
gptkbp:genre
|
gptkb:mythological_figure
gptkb:film
pop
psychological thriller
traditional pop
neo-noir
|
|
gptkbp:has_cameo
|
gptkb:none
gptkb:David_Lynch
|
|
gptkbp:has_merchandise
|
gptkb:theorem
|
|
gptkbp:has_sequel
|
gptkb:none
|
|
gptkbp:has_song
|
gptkb:Blue_Velvet_(soundtrack)
gptkb:theorem
|
|
gptkbp:has_theme
|
the American Dream
duality of human nature
innocence and corruption
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:theorem
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Blue Velvet
|
|
gptkbp:influenced
|
many filmmakers
subsequent films
|
|
gptkbp:influenced_by
|
gptkb:Monarch
gptkb:film
1950s pop music
|
|
gptkbp:is_available_on
|
gptkb:streaming_platforms
gptkb:DJ
gptkb:film
streaming services
|
|
gptkbp:is_cited_in
|
film studies
|
|
gptkbp:is_considered
|
a classic
|
|
gptkbp:is_evaluated_by
|
gptkb:theorem
|
|
gptkbp:is_featured_in
|
gptkb:The_Sopranos
gptkb:Twin_Peaks
Blue Velvet (film)
|
|
gptkbp:is_part_of
|
David Lynch's filmography
|
|
gptkbp:is_popular_in
|
1950s America
|
|
gptkbp:is_referenced_in
|
gptkb:organization
various media
|
|
gptkbp:is_worshipped_by
|
gptkb:theorem
|
|
gptkbp:language
|
English
|
|
gptkbp:length
|
2:48
|
|
gptkbp:music_by
|
gptkb:Angelo_Badalamenti
|
|
gptkbp:music_video
|
gptkb:battle
|
|
gptkbp:notable_cover
|
Lana Del Rey version
|
|
gptkbp:notable_for
|
gptkb:its_score
its character development
its symbolism
its dialogue
its cinematography
its narrative structure
its use of color
its psychological depth
its performances
its sound design
its exploration of sexuality
its impact on film noir.
its themes of voyeurism
|
|
gptkbp:notable_inductees
|
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:Academy_Award_for_Best_Director
|
|
gptkbp:notable_performance
|
gptkb:The_Ed_Sullivan_Show
|
|
gptkbp:notable_quote
|
" Heineken? Fuck that shit! Pabst Blue Ribbon!"
" I can see you, I can see you."
" I want to know you. I want to see you."
" It's a strange world."
|
|
gptkbp:plot
|
A college student discovers a severed ear and becomes involved in a mystery.
|
|
gptkbp:produced_by
|
gptkb:David_Lynch
Fred Caruso
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:record_label
|
gptkb:Epic_Records
|
|
gptkbp:recorded_by
|
1950s
|
|
gptkbp:release_date
|
September 19, 1986
|
|
gptkbp:release_year
|
gptkb:1986
1950
|
|
gptkbp:released
|
gptkb:1986
gptkb:DJ
gptkb:battle
gptkb:film
|
|
gptkbp:released_in
|
gptkb:1986
|
|
gptkbp:remake
|
gptkb:battle
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenplay_by
|
gptkb:David_Lynch
|
|
gptkbp:set_in
|
gptkb:North_Carolina
gptkb:Lumberton,_North_Carolina
|
|
gptkbp:setting
|
gptkb:Lumberton,_North_Carolina
|
|
gptkbp:soundtrack
|
gptkb:Blue_Velvet_(soundtrack_album)
|
|
gptkbp:starring
|
gptkb:Isabella_Rossellini
gptkb:Dennis_Hopper
gptkb:Laura_Dern
gptkb:Kyle_Mac_Lachlan
|
|
gptkbp:theme
|
nostalgia
|
|
gptkbp:themes
|
romance
Sexuality
Duality of human nature
Violence and innocence
|
|
gptkbp:visual_effects
|
gptkb:theorem
|
|
gptkbp:winner
|
Best Director at Cannes Film Festival
|
|
gptkbp:writer
|
gptkb:Bernie_Wayne
Lee Morris
|