|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
5
|
|
gptkbp:bfsParent
|
gptkb:Blow-Up_and_Other_Stories
|
|
gptkbp:awards
|
Best Director at Cannes Film Festival
|
|
gptkbp:based_on
|
gptkb:The_Secret_Life_of_Salvador_Dalí
|
|
gptkbp:box_office
|
$2 million
|
|
gptkbp:character
|
gptkb:Jane
The Mysterious Man
The Photographer's Assistant
|
|
gptkbp:cinematography
|
gptkb:Giuseppe_Rotunno
|
|
gptkbp:critical_reception
|
Mixed to positive reviews
|
|
gptkbp:cultural_impact
|
Influential in cinema
|
|
gptkbp:director
|
gptkb:Michelangelo_Antonioni
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:filmography
|
gptkb:Symbolism
gptkb:Francoise_Bonnot
Non-linear narrative
Ambiguous ending
|
|
gptkbp:genre
|
gptkb:High_School
gptkb:mythological_figure
gptkb:film
|
|
gptkbp:has_cameo
|
gptkb:Vanessa_Redgrave
gptkb:Sarah_Miles
gptkb:Peter_Bowles
gptkb:David_Hemmings
gptkb:John_Castle
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Blow-Up (film)
|
|
gptkbp:influenced
|
gptkb:Martin_Scorsese
gptkb:Wim_Wenders
gptkb:David_Lynch
gptkb:Quentin_Tarantino
gptkb:Brian_De_Palma
|
|
gptkbp:influenced_by
|
gptkb:French_New_Wave
|
|
gptkbp:inspiration
|
The short story ' Las babas del Diablo' by Julio Cortázar
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
Considered a classic of 1960s cinema
|
|
gptkbp:main_character
|
gptkb:Thomas
|
|
gptkbp:music
|
gptkb:Herbie_Hancock
|
|
gptkbp:notable_appearance
|
The park scene
The fashion show scene
The photo development scene
|
|
gptkbp:notable_quote
|
“ What is real?”
“ I think I saw something.”
“ You can’t see it.”
|
|
gptkbp:production_company
|
gptkb:Metro-Goldwyn-Mayer
|
|
gptkbp:release_date
|
December 1966
|
|
gptkbp:release_year
|
gptkb:1966
|
|
gptkbp:screenplay_by
|
gptkb:Michelangelo_Antonioni
|
|
gptkbp:setting
|
gptkb:Borough
|
|
gptkbp:theme
|
gptkb:Isolation
Perception vs. reality
Art and interpretation
|