|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:The_Girl_Who_Knew_Too_Much
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:character
|
gptkb:Detective
gptkb:Gina
gptkb:Franco
gptkb:Martha
gptkb:Isabella
gptkb:legal_case
killer
|
|
gptkbp:cinematography
|
gptkb:Antonio_Rinaldi
|
|
gptkbp:composer
|
gptkb:Carlo_Rustichelli
|
|
gptkbp:country
|
gptkb:Italy
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
inspired fashion trends
|
|
gptkbp:director
|
gptkb:Mario_Bava
|
|
gptkbp:distributor
|
gptkb:Medusa_Film
|
|
gptkbp:editor
|
gptkb:Eraldo_Da_Roma
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:filmography
|
gptkb:legal_case
dramatic lighting
graphic violence
strong female characters
artistic direction
non-linear narrative
iconic imagery
atmospheric settings
suspenseful music
stylized visuals
intricate plot
color cinematography
stylish costumes
|
|
gptkbp:genre
|
giallo
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Blood and Black Lace
|
|
gptkbp:influenced
|
slasher films
|
|
gptkbp:influenced_by
|
film noir
|
|
gptkbp:inspiration
|
gptkb:The_Girl_Who_Knew_Too_Much
|
|
gptkbp:is_worshipped_by
|
gptkb:theorem
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:legacy
|
pioneering giallo genre
|
|
gptkbp:main_character
|
gptkb:Francesca
|
|
gptkbp:notable_appearance
|
murder in the fashion house
|
|
gptkbp:notable_for
|
stylized violence
|
|
gptkbp:release_date
|
February 1964
|
|
gptkbp:release_year
|
gptkb:1964
|
|
gptkbp:remake
|
gptkb:So_Sweet,_So_Dead
|
|
gptkbp:runtime
|
102 minutes
|
|
gptkbp:screenplay_by
|
Marcello Fondato
|
|
gptkbp:setting
|
gptkb:museum
|
|
gptkbp:theme
|
gptkb:betrayal
gptkb:jealousy
gptkb:brand
gptkb:legal_case
|