|
gptkbp:instanceOf
|
novel
|
|
gptkbp:adaptation
|
mixed reviews
film adaptation
changes in character arcs
successful adaptation
|
|
gptkbp:adaptedInto
|
film
|
|
gptkbp:associatedWith
|
alliances
antagonistic
|
|
gptkbp:author
|
gptkb:Thomas_Harris
|
|
gptkbp:awards
|
none
|
|
gptkbp:boxOffice
|
$2.5 million
|
|
gptkbp:character
|
redemption
Khalil
downfall
Marty_Rittner
|
|
gptkbp:characterDevelopment
|
revenge
complex characters
ideology
|
|
gptkbp:characterTraits
|
psychological depth
|
|
gptkbp:community_engagement
|
cult following
|
|
gptkbp:conflict
|
cat-and-mouse chase
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
influenced other media
|
|
gptkbp:culturalHeritage
|
Super_Bowl_events
|
|
gptkbp:director
|
gptkb:Robert_Shaw
gptkb:Bruce_Dern
gptkb:Marthe_Keller
gptkb:John_Frankenheimer
|
|
gptkbp:enrollment
|
adult readers
|
|
gptkbp:filmography
|
gptkb:John_Williams
143 minutes
|
|
gptkbp:genre
|
thriller
|
|
gptkbp:historicalContext
|
1970s America
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Black Sunday (novel)
|
|
gptkbp:influence
|
inspired similar films
|
|
gptkbp:influenced
|
real-life events
other thriller writers
|
|
gptkbp:inspiration
|
real-life terrorist incidents
|
|
gptkbp:ISBN
|
0-399-11080-0
|
|
gptkbp:language
|
English
|
|
gptkbp:narrativeStyle
|
third-person
multiple perspectives
|
|
gptkbp:notableQuote
|
"The game is not over until the last whistle."
|
|
gptkbp:pageCount
|
384
|
|
gptkbp:plot
|
non-linear
unexpected ending
terrorist_plot_during_Super_Bowl
|
|
gptkbp:publishedBy
|
1975
|
|
gptkbp:publisher
|
gptkb:Putnam
|
|
gptkbp:releaseYear
|
1977
|
|
gptkbp:setting
|
gptkb:Super_Bowl
|
|
gptkbp:significance
|
important thriller novel
|
|
gptkbp:style
|
suspenseful
|
|
gptkbp:symbolism
|
gptkb:American_football
terrorism
|
|
gptkbp:theme
|
politics
terrorism
violence
|