Statements (54)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
poets
|
| gptkbp:activeDuring |
mid-20th century
|
| gptkbp:associatedWith |
gptkb:Black_Mountain_College
gptkb:post-World_War_II_American_poetry visual arts experimental music performance art avant-garde literature |
| gptkbp:characterizedBy |
free verse
collaborative writing experimental poetry |
| gptkbp:emphasizes |
the process of writing
the role of the poet in society the importance of place |
| https://www.w3.org/2000/01/rdf-schema#label |
Black Mountain poets
|
| gptkbp:influenced |
gptkb:New_York_School_poets
Beat Generation L=A=N=G=U=A=G=E poets |
| gptkbp:influencedBy |
Imagism
Modernism |
| gptkbp:knownFor |
interdisciplinary collaboration
exploration of nature exploration of identity exploration of social issues exploration of spirituality exploration of politics exploration of myth exploration of the self exploration of rhythm exploration of community exploration of sound exploration of language exploration of technology exploration of form exploration of historical context exploration of personal experience exploration of the unconscious engagement with philosophy exploration of cultural critique exploration of the avant-garde exploration of the body exploration of the collective exploration of visual imagery focus on the act of creation innovative poetic forms |
| gptkbp:notable_member |
gptkb:Robert_Creeley
gptkb:Charles_Olson gptkb:Robert_Duncan gptkb:Denise_Levertov |
| gptkbp:originatedIn |
gptkb:United_States
|
| gptkbp:publishes |
gptkb:The_Collected_Poems_of_Robert_Creeley
The Maximus Poems The Opening of the Field The_Language_of_Inquiry |