|
gptkbp:instance_of
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gptkb:film
|
|
gptkbp:bfsLayer
|
5
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|
gptkbp:bfsParent
|
gptkb:African_Cinema
gptkb:In_the_Pines
|
|
gptkbp:awards
|
Best Short Film at Cannes
|
|
gptkbp:based_on
|
gptkb:anthology
|
|
gptkbp:cinematography
|
gptkb:Sembène_Ousmane
|
|
gptkbp:color
|
black-and-white
|
|
gptkbp:country
|
gptkb:Senegal
|
|
gptkbp:cultural_impact
|
African cinema
|
|
gptkbp:depicts
|
alienation
exploitation
cultural dislocation
|
|
gptkbp:directed_by
|
gptkb:Ousmane_Sembène
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Black Girl
|
|
gptkbp:influenced
|
post-colonial studies
future filmmakers
feminist film theory
|
|
gptkbp:influenced_by
|
gptkb:French_New_Wave
African literature
neorealism
|
|
gptkbp:inspired
|
social commentary
|
|
gptkbp:is_available_on
|
gptkb:streaming_platforms
gptkb:DJ
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:main_character
|
Diouana
|
|
gptkbp:music_by
|
Moussa Tavele
|
|
gptkbp:notable_appearance
|
Diouana's arrival in France
Diouana's confrontation with her employers
Diouana's struggle for identity
|
|
gptkbp:notable_for
|
critical reception
depiction of colonialism
first feature film by a black African director
realistic portrayal of women's experiences
|
|
gptkbp:produced_by
|
gptkb:Ousmane_Sembène
|
|
gptkbp:rating
|
high
|
|
gptkbp:release_year
|
gptkb:1966
|
|
gptkbp:runtime
|
60 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Ousmane_Sembène
|
|
gptkbp:set_in
|
gptkb:Monarch
gptkb:Senegal
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:species
gender
|