|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:awards
|
National Film Registry selection
|
|
gptkbp:basedOn
|
gptkb:The_Clansman_(novel)
|
|
gptkbp:boxOfficeGross
|
over $10 million
|
|
gptkbp:budget
|
$110,000
|
|
gptkbp:cinematography
|
gptkb:G._W._Bitzer
|
|
gptkbp:controversy
|
racist content
depiction of Ku Klux Klan
|
|
gptkbp:countryOfOrigin
|
gptkb:United_States
|
|
gptkbp:director
|
gptkb:D._W._Griffith
|
|
gptkbp:distributedBy
|
gptkb:David_W._Griffith_Corp.
|
|
gptkbp:filmingLocation
|
gptkb:California
gptkb:Los_Angeles
|
|
gptkbp:format
|
black-and-white
silent
|
|
gptkbp:genre
|
historical drama
silent film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Birth of a Nation (film)
|
|
gptkbp:influenced
|
film techniques
|
|
gptkbp:language
|
English
|
|
gptkbp:musicBy
|
gptkb:Joseph_Carl_Breil
|
|
gptkbp:notableFor
|
epic scale
historical significance
parallel editing
innovative camera work
first 12-reel film in America
use of close-ups
|
|
gptkbp:openToPublic
|
yes
|
|
gptkbp:preservedIn
|
gptkb:United_States_National_Film_Registry
|
|
gptkbp:producer
|
gptkb:D._W._Griffith
|
|
gptkbp:releaseDate
|
1915
|
|
gptkbp:runtime
|
195 minutes
|
|
gptkbp:sequel
|
gptkb:Intolerance_(film)
|
|
gptkbp:setInPeriod
|
gptkb:American_Civil_War
gptkb:Reconstruction_era
|
|
gptkbp:starring
|
gptkb:Robert_Harron
gptkb:Walter_Long
gptkb:Henry_B._Walthall
gptkb:George_Siegmann
gptkb:Lillian_Gish
gptkb:Mae_Marsh
gptkb:Miriam_Cooper
gptkb:Ralph_Lewis
|
|
gptkbp:studio
|
gptkb:Epoch_Producing_Corporation
|
|
gptkbp:subject
|
gptkb:American_Civil_War
Ku Klux Klan
Reconstruction
|
|
gptkbp:bfsParent
|
gptkb:Rise_of_the_Ku_Klux_Klan
|
|
gptkbp:bfsLayer
|
5
|