|
gptkbp:instanceOf
|
novel
|
|
gptkbp:adaptation
|
1951
1962
1993
musical
film
ballet
opera
theatre
radio play
|
|
gptkbp:artMovement
|
allegory
irony
foreshadowing
|
|
gptkbp:author
|
gptkb:Herman_Melville
|
|
gptkbp:character
|
gptkb:Captain_Vere
the crew
Claggart
|
|
gptkbp:conflict
|
moral dilemma
|
|
gptkbp:criticalReception
|
mixed
explores morality
examines authority
questions justice
|
|
gptkbp:culturalHeritage
|
popular culture
literary studies
film adaptations
|
|
gptkbp:culturalImpact
|
significant
|
|
gptkbp:genre
|
novella
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Billy Budd, Sailor
|
|
gptkbp:influence
|
American_literature
|
|
gptkbp:influenced
|
gptkb:William_Faulkner
gptkb:Cormac_McCarthy
Toni Morrison
|
|
gptkbp:influencedBy
|
Realism
Romanticism
Transcendentalism
|
|
gptkbp:inspiredBy
|
historical events
|
|
gptkbp:language
|
English
|
|
gptkbp:mainCharacter
|
gptkb:Billy_Budd
|
|
gptkbp:motif
|
betrayal
fate
heroism
|
|
gptkbp:narrativeStyle
|
internal conflict
third-person
omniscient
external conflict
|
|
gptkbp:publishedBy
|
1924
true
|
|
gptkbp:publishedIn
|
gptkb:The_New_Yorker
|
|
gptkbp:setting
|
gptkb:British_Royal_Navy
|
|
gptkbp:symbolism
|
the sea
the ship
the gallows
|
|
gptkbp:theme
|
good vs evil
innocence
justice
|