|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
Bicentennial Man (film)
|
|
gptkbp:adapted_into
|
gptkb:theatre
gptkb:graphic_novel
|
|
gptkbp:author
|
gptkb:Isaac_Asimov
|
|
gptkbp:awards
|
gptkb:award
Golden Globe nomination
|
|
gptkbp:based_on
|
gptkb:The_Positronic_Man
The Bicentennial Man (novella)
The Positronic Man (novel)
|
|
gptkbp:box_office
|
87.4 million USD
$87.4 million
|
|
gptkbp:budget
|
100 million USD
$100 million
|
|
gptkbp:character
|
gptkb:Richard_Martin
gptkb:Little_Miss
gptkb:Grandma
gptkb:Portia
gptkb:Andrew_Martin
gptkb:mythological_figure
Ma'am
|
|
gptkbp:character_development
|
human-robot relationships
Andrew's evolution
Andrew's quest for humanity
|
|
gptkbp:cinematography
|
gptkb:Philippe_Rousselot
|
|
gptkbp:composer
|
gptkb:James_Horner
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
gptkb:philosophical_debates
gptkb:literary_work
gptkb:organization
academic studies
AI ethics
media adaptations
discussions on AI ethics
influence on technology discussions
robotics discussions
robot rights advocacy
exploration of AI
inspiration for future AI narratives
philosophical questions about life
discussion of robotics
influence on storytelling in sci-fi
|
|
gptkbp:director
|
gptkb:Chris_Columbus
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:edited_by
|
gptkb:Steven_Rosenblum
|
|
gptkbp:editor
|
gptkb:Michael_Kahn
|
|
gptkbp:explores
|
gptkb:Artificial_Intelligence
gptkb:emotions
rights of robots
|
|
gptkbp:features
|
social commentary
family dynamics
time progression
|
|
gptkbp:film_festival
|
gptkb:San_Sebastián_International_Film_Festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:film_series
|
standalone
|
|
gptkbp:filming_location
|
gptkb:California
gptkb:Los_Angeles
gptkb:San_Francisco
|
|
gptkbp:filmography
|
gptkb:film
128 minutes
|
|
gptkbp:genre
|
gptkb:musical
gptkb:Author
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
2000-05-02
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Bicentennial Man
|
|
gptkbp:influenced
|
gptkb:film_production_company
sci-fi literature
|
|
gptkbp:influenced_by
|
gptkb:philosopher
gptkb:robot
|
|
gptkbp:influences
|
gptkb:weapon
gptkb:Ex_Machina
gptkb:The_Twilight_Zone
gptkb:A._I._Artificial_Intelligence
gptkb:Asimov's_Robot_series
|
|
gptkbp:inspiration
|
gptkb:Isaac_Asimov
gptkb:The_Bicentennial_Man
|
|
gptkbp:inspired
|
gptkb:robot_rights_movement
discussions on ethics
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
influenced future AI films
inspired discussions on ethics of AI
|
|
gptkbp:length
|
short novella
|
|
gptkbp:main_character
|
gptkb:Andrew_Martin
|
|
gptkbp:music_by
|
gptkb:James_Horner
|
|
gptkbp:narrative_style
|
gptkb:musical
gptkb:High_School
third-person
|
|
gptkbp:part_of
|
gptkb:Robot_series
|
|
gptkbp:premiere
|
gptkb:Los_Angeles
|
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
Robin Williams Productions
|
|
gptkbp:published_by
|
gptkb:1976
gptkb:Doubleday
gptkb:The_Magazine_of_Fantasy_&_Science_Fiction
|
|
gptkbp:rating
|
gptkb:PG
|
|
gptkbp:received
|
gptkb:award
gptkb:nebula
|
|
gptkbp:release_date
|
1999-12-17
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:runtime
|
132 minutes
128 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Nicholas_Kazan
|
|
gptkbp:set_in
|
future
|
|
gptkbp:starring
|
gptkb:Robin_Williams
gptkb:Embeth_Davidtz
gptkb:Sam_Neill
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:humanity
gptkb:technology
love
mortality
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:humanity
mortality
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:visual_effects
|
gptkb:Industrial_Light_&_Magic
|
|
gptkbp:bfsParent
|
gptkb:Robin_Williams
|
|
gptkbp:bfsLayer
|
3
|