Statements (48)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
musical composition
|
| gptkbp:adaptation |
arrangements for different ensembles
|
| gptkbp:artwork |
love and loss
|
| gptkbp:availableFormats |
sheet music
|
| gptkbp:built |
1926
|
| gptkbp:characteristics |
intense emotional expression
|
| gptkbp:composer |
gptkb:Alban_Berg
|
| gptkbp:critical_reception |
generally positive
|
| gptkbp:cultural_impact |
influenced modern classical music
|
| gptkbp:cultural_significance |
important work in 20th-century music
continues to be studied and performed. |
| gptkbp:dedication |
gptkb:Hanna_Fuchs-Robettin
|
| gptkbp:duration |
approximately 20 minutes
|
| gptkbp:filmingLocation |
gptkb:Vienna
|
| gptkbp:genre |
chamber music
|
| gptkbp:historical_significance |
reflects early 20th-century avant-garde trends
|
| gptkbp:historicalContext |
post-World_War_I_era
|
| https://www.w3.org/2000/01/rdf-schema#label |
Berg Lyric Suite
|
| gptkbp:influence |
contemporary composers
|
| gptkbp:influenced |
later composers
Austrian_folk_music |
| gptkbp:influences |
12-tone technique
|
| gptkbp:inspiration |
various art forms
Wagner's_music |
| gptkbp:involved |
string quartet
|
| gptkbp:legacy |
remains a staple in chamber music repertoire
|
| gptkbp:movement |
5
Adagio Allegro Largo Allegretto Scherzo |
| gptkbp:musicStyle |
atonality
complex and innovative |
| gptkbp:notable_feature |
use of counterpoint
lyrical melodies |
| gptkbp:notable_performers |
various string quartets
|
| gptkbp:notableWork |
frequent subject of musicological studies
|
| gptkbp:performance |
requires advanced technical skill
|
| gptkbp:performedBy |
major music festivals
|
| gptkbp:premiere |
1927
|
| gptkbp:publishedBy |
gptkb:Universal_Edition
|
| gptkbp:recordings |
multiple interpretations
by renowned quartets |
| gptkbp:relatedPatent |
gptkb:Berg's_Violin_Concerto
|
| gptkbp:structureType |
five interconnected movements
|
| gptkbp:style |
Expressionism
|
| gptkbp:thematicElement |
derived_from_Berg's_earlier_works
|