Statements (150)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:analysis |
frequently studied in musicology
subject of musicological studies |
| gptkbp:associated_with |
gptkb:the_Second_Viennese_School
avant-garde music |
| gptkbp:characteristics |
intense emotional expression
lyrical and dramatic elements |
| gptkbp:characterized_by |
lyrical melodies
|
| gptkbp:composer |
gptkb:Alban_Berg
|
| gptkbp:contains |
contrapuntal elements
|
| gptkbp:critical_reception |
highly regarded
|
| gptkbp:cultural_impact |
influenced modern classical music
significant in modern classical music |
| gptkbp:cultural_significance |
important work in 20th-century music
|
| gptkbp:dedicated_to |
Hanna Fuchs-Robettin
|
| gptkbp:dedication |
Hanna Fuchs-Robettin
|
| gptkbp:duration |
approximately 20 minutes
approximately 30 minutes approximately 25 minutes |
| gptkbp:explores |
emotional themes
|
| gptkbp:features |
extended techniques
|
| gptkbp:first_performance |
gptkb:Vienna
1926 by the Kolisch Quartet |
| gptkbp:genre |
gptkb:chamber_music
|
| gptkbp:historical_context |
post-World War I era
|
| https://www.w3.org/2000/01/rdf-schema#label |
Berg's Lyric Suite
|
| gptkbp:includes |
a variety of musical techniques
|
| gptkbp:influenced |
modern classical music
later composers contemporary composers subsequent composers later 20th-century composers |
| gptkbp:influenced_by |
gptkb:Richard_Wagner
gptkb:Second_Viennese_School 12-tone technique the Romantic tradition |
| gptkbp:influences |
Romantic music
12-tone technique |
| gptkbp:inspired_by |
personal experiences
Wagner's music |
| gptkbp:instrumentation |
gptkb:String_Quartet
|
| gptkbp:instruments |
gptkb:chamber_music
gptkb:jazz_music gptkb:banjo gptkb:piano gptkb:viola gptkb:harp gptkb:band gptkb:clarinet gptkb:choir gptkb:accordion gptkb:cello gptkb:synthesizer gptkb:computer gptkb:saxophone gptkb:trumpet gptkb:musical_group gptkb:voice_acting gptkb:guitar brass strings bass voice percussion flute electronic instruments full orchestra orchestral strings oboe winds bassoon solo instruments two violins, viola, cello soprano voice 2 violins orchestral brass orchestral percussion opera orchestra orchestral harp orchestral piano film orchestra theater orchestra mixed ensemble musical theater orchestra orchestral computer orchestral electronic instruments orchestral synthesizer orchestral winds |
| gptkbp:involved_forces |
gptkb:String_Quartet
|
| gptkbp:is_analyzed_in |
musicology studies
its structural innovations |
| gptkbp:is_celebrated_for |
its complexity
|
| gptkbp:is_celebrated_in |
music history
|
| gptkbp:is_considered_as |
a landmark in chamber music
|
| gptkbp:is_examined_in |
musicological research
|
| gptkbp:is_noted_for |
its emotional depth
|
| gptkbp:is_often_featured_in |
music competitions
|
| gptkbp:is_often_used_in |
music festivals
professional musicians |
| gptkbp:is_recognized_as |
a significant work in 20th-century music
|
| gptkbp:is_studied_in |
music theory courses
|
| gptkbp:music_style |
counterpoint
|
| gptkbp:narrative_theme |
love and loss
|
| gptkbp:notable_conductors |
gptkb:Anton_Webern
|
| gptkbp:notable_features |
complex harmonies
lyrical melodies expressive melodies atonality |
| gptkbp:notable_for |
its harmonic language
its use of twelve-tone technique |
| gptkbp:notable_performers |
various string quartets
|
| gptkbp:notable_recordings |
Alban Berg Quartet recording
|
| gptkbp:number_of_movements |
gptkb:6
|
| gptkbp:part_of |
gptkb:chamber_music
Berg's oeuvre |
| gptkbp:performance_tradition |
frequently performed in concerts
|
| gptkbp:performed_at |
major music festivals
|
| gptkbp:performed_by |
gptkb:String_Quartet
various ensembles various chamber ensembles |
| gptkbp:performed_in |
academic settings
concert halls worldwide |
| gptkbp:performer |
gptkb:Alban_Berg_Quartet
|
| gptkbp:performers |
gptkb:String_Quartet
|
| gptkbp:premiere |
gptkb:1927
|
| gptkbp:premiere_date |
1926
1926-04-24 |
| gptkbp:premiere_location |
gptkb:Vienna
|
| gptkbp:published_by |
gptkb:Universal_Edition
|
| gptkbp:recognized_by |
music critics
|
| gptkbp:recorded_by |
numerous artists
|
| gptkbp:recordings |
multiple interpretations
|
| gptkbp:related_to |
gptkb:Wozzeck
|
| gptkbp:related_works |
gptkb:Lyric_Suite_for_string_quartet
|
| gptkbp:repertoire |
classical music ensembles
|
| gptkbp:significance |
important work in 20th-century music
|
| gptkbp:structure |
non-traditional form
|
| gptkbp:style |
gptkb:Expressionism
expressionism atonal music |
| gptkbp:subject_matter |
love and loss
|
| gptkbp:thematic_element |
complex and varied
love and loss |
| gptkbp:uses |
12-tone technique
atonality |
| gptkbp:year_composed |
1926
|
| gptkbp:bfsParent |
gptkb:Quatuor_Van_Kuijk
gptkb:The_Alban_Berg_Quartet gptkb:Alban_Berg_Quartet |
| gptkbp:bfsLayer |
5
|