Properties (49)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
musical composition
|
| gptkbp:analyzes |
frequently analyzed in musicology
|
| gptkbp:built |
1926
|
| gptkbp:characteristics |
lyrical and expressive
|
| gptkbp:composer |
gptkb:Alban_Berg
|
| gptkbp:critical_reception |
generally well-received
|
| gptkbp:cultural_impact |
performed in major concert halls
|
| gptkbp:cultural_significance |
part of the classical repertoire
|
| gptkbp:dedication |
gptkb:Hanna_Fuchs-Robettin
|
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:educational_programs |
studied in music schools
|
| gptkbp:filmingLocation |
gptkb:Vienna
|
| gptkbp:formFactor |
string quartet
|
| gptkbp:historical_significance |
varied interpretations by performers
|
| gptkbp:historicalContext |
composed_during_the_Weimar_Republic
|
| https://www.w3.org/2000/01/rdf-schema#label |
Berg's Lyric Suite
|
| gptkbp:influence |
impact on modern string quartets
|
| gptkbp:influenced |
influenced film composers
|
| gptkbp:influences |
expressionism
|
| gptkbp:inspiration |
later composers
|
| gptkbp:instrument |
piano
cello viola 2 violins |
| gptkbp:legacy |
considered a masterpiece
|
| gptkbp:movement |
5
Adagio Allegro Andante Scherzo |
| gptkbp:musicStyle |
uses counterpoint
uses motifs uses harmonic language |
| gptkbp:notable_feature |
use of twelve-tone technique
|
| gptkbp:notable_performers |
performed by renowned quartets
|
| gptkbp:performance |
requires advanced technique
|
| gptkbp:performances |
often performed by string quartets
|
| gptkbp:premiere |
1927
|
| gptkbp:publishedBy |
by_Universal_Edition
|
| gptkbp:recordings |
widely recorded
|
| gptkbp:recordLabel |
recorded_by_Chandos
recorded_by_Deutsche_Grammophon recorded_by_ECM_Records recorded_by_Harmonia_Mundi recorded_by_Naxos |
| gptkbp:relatedPatent |
gptkb:Berg's_Violin_Concerto
|
| gptkbp:significance |
important work in 20th-century chamber music
|
| gptkbp:style |
atonal music
|
| gptkbp:thematicElement |
explores themes of love and loss
|