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gptkbp:instanceOf
|
gptkb:person
|
|
gptkbp:almaMater
|
gptkb:University_of_Cologne
|
|
gptkbp:awardReceived
|
gptkb:Golden_Lion_for_Lifetime_Achievement_(Venice_Biennale)
|
|
gptkbp:birthYear
|
1941
|
|
gptkbp:boardMemberOf
|
gptkb:October_(journal)
|
|
gptkbp:contributedTo
|
gptkb:October_(journal)
gptkb:Art_in_America
gptkb:Artforum
|
|
gptkbp:editor
|
gptkb:October_(journal)
|
|
gptkbp:employer
|
gptkb:Harvard_University
|
|
gptkbp:field
|
contemporary art
modern art
|
|
gptkbp:influencedBy
|
gptkb:Theodor_W._Adorno
gptkb:Walter_Benjamin
gptkb:Marcel_Broodthaers
|
|
gptkbp:knownFor
|
critical theory in art history
essays on conceptual art
|
|
gptkbp:language
|
gptkb:German
English
|
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gptkbp:nationality
|
gptkb:German
|
|
gptkbp:notableStudent
|
gptkb:Hal_Foster
gptkb:David_Joselit
gptkb:Pamela_M._Lee
|
|
gptkbp:notableWork
|
gptkb:Allegorical_Procedures:_Appropriation_and_Montage_in_Contemporary_Art
gptkb:Collected_Essays_and_Criticism
gptkb:Conceptual_Art_1962-1969:_From_the_Aesthetic_of_Administration_to_the_Critique_of_Institutions
gptkb:Formalism_and_Historicity
gptkb:Gerhard_Richter:_Painting_After_the_Subject_of_History
gptkb:Hans_Haacke:_For_Real
gptkb:Neo-Avantgarde_and_Culture_Industry
|
|
gptkbp:occupation
|
gptkb:literary_criticism
gptkb:professor
gptkb:art_historian
|
|
gptkbp:position
|
gptkb:Andrew_W._Mellon_Professor_of_Modern_Art
|
|
gptkbp:researchInterest
|
gptkb:art
institutional critique
avant-garde movements
American art since 1945
postwar European art
|
|
gptkbp:taughtAt
|
gptkb:Barnard_College
gptkb:Columbia_University
gptkb:Harvard_University
gptkb:Massachusetts_Institute_of_Technology
gptkb:University_of_Frankfurt
gptkb:SUNY_Old_Westbury
|
|
gptkbp:bfsParent
|
gptkb:Rosalind_Krauss
|
|
gptkbp:bfsLayer
|
6
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Benjamin H. D. Buchloh
|