|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
5
|
|
gptkbp:bfsParent
|
gptkb:Louise_Brooks
gptkb:Jim_Tully
|
|
gptkbp:adaptation
|
gptkb:film
moderate
|
|
gptkbp:adapted_into
|
gptkb:theatre
gptkb:radio_station
|
|
gptkbp:audience
|
positive reviews
|
|
gptkbp:author
|
gptkb:Jim_Tully
|
|
gptkbp:available_formats
|
gptkb:printer
digital
|
|
gptkbp:awards
|
gptkb:none
gptkb:CEO
|
|
gptkbp:based_on
|
novel by Jim Tully
|
|
gptkbp:box_office
|
gptkb:unknown
gptkb:CEO
$1 million
|
|
gptkbp:character
|
gptkb:The_Girl
gptkb:The_Stranger
gptkb:The_Farmer
gptkb:The_Tramp
gptkb:The_Kid
gptkb:Nancy
gptkb:The_Boy
gptkb:Jimmie
The Hobo
|
|
gptkbp:character_arc
|
redemption
|
|
gptkbp:character_development
|
gptkb:launch_complex
complex characters
Louise Brooks' character
Richard Arlen's character
Wallace Beery's character
|
|
gptkbp:character_relationships
|
dynamic
interpersonal dynamics
|
|
gptkbp:cinematography
|
gptkb:David_Greene
gptkb:Arthur_Edeson
gptkb:William_H._Daniels
|
|
gptkbp:climax
|
intense
reflective
|
|
gptkbp:color
|
black and white
black-and-white
|
|
gptkbp:composer
|
gptkb:David_Schwartz
|
|
gptkbp:conflict
|
ambiguous
man vs. society
man vs. self
|
|
gptkbp:country
|
gptkb:United_States
gptkb:Native_American_tribe
|
|
gptkbp:critical_reception
|
positive
mixed
mixed reviews
|
|
gptkbp:cultural_impact
|
gptkb:significant
cult following
cult classic status
|
|
gptkbp:cultural_references
|
gptkb:historical_event
gptkb:mythological_figure
|
|
gptkbp:cultural_significance
|
reflects societal issues
|
|
gptkbp:depicts
|
hobo culture
|
|
gptkbp:directed_by
|
gptkb:William_A._Wellman
|
|
gptkbp:director
|
gptkb:Leslie_Mc_Farlane
gptkb:William_A._Wellman
|
|
gptkbp:distributor
|
gptkb:Paramount_Pictures
gptkb:Pathé_Exchange
gptkb:e_One_Entertainment
|
|
gptkbp:edited_by
|
gptkb:James_E._Newcom
gptkb:William_A._Wellman
|
|
gptkbp:editor
|
gptkb:David_A._(Dave)_Mc_Gowan
montage
|
|
gptkbp:explores
|
social issues
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Toronto_After_Dark_Film_Festival
gptkb:Austin_Film_Festival
gptkb:Oregon_Independent_Film_Festival
gptkb:Boulder_International_Film_Festival
gptkb:Edinburgh_International_Film_Festival
gptkb:San_Diego_International_Film_Festival
gptkb:Hollywood_Film_Festival
gptkb:Seattle_International_Film_Festival
gptkb:none
gptkb:Cinequest_Film_Festival
gptkb:Burbank_International_Film_Festival
gptkb:Vancouver_International_Film_Festival
gptkb:Cinefest_Sudbury_International_Film_Festival
gptkb:Palm_Springs_International_Film_Festival
gptkb:New_Hampshire_Film_Festival
gptkb:Bend_Film_Festival
gptkb:Cleveland_International_Film_Festival
gptkb:New_York_Film_Festival
gptkb:San_Francisco_International_Film_Festival
gptkb:Bermuda_International_Film_Festival
gptkb:Los_Angeles_Film_Festival
gptkb:Montreal_World_Film_Festival
gptkb:Nashville_Film_Festival
gptkb:New_York_City_Horror_Film_Festival
gptkb:Newport_Beach_Film_Festival
gptkb:Fargo_Film_Festival
gptkb:CEO
gptkb:Slamdance_Film_Festival
gptkb:Sarasota_Film_Festival
gptkb:Raindance_Film_Festival
gptkb:Indie_Fest_Film_Awards
gptkb:Vancouver_Island_Film_Festival
|
|
gptkbp:film_score
|
gptkb:CEO
orchestral
|
|
gptkbp:film_series
|
gptkb:CEO
|
|
gptkbp:filming_location
|
gptkb:Ontario
|
|
gptkbp:filmography
|
gptkb:James_E._Newcom
gptkb:CEO
gptkb:William_A._Wellman
realism
notable
discussed in literature
|
|
gptkbp:follows
|
gptkb:The_Show_of_Shows
|
|
gptkbp:genre
|
gptkb:High_School
autobiographical novel
|
|
gptkbp:historical_context
|
1920s America
1930s America
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:CEO
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Beggars of Life
|
|
gptkbp:influenced
|
gptkb:film
American literature
film noir
future filmmakers
future road movies
later films about the Great Depression
|
|
gptkbp:influenced_by
|
gptkb:German_Expressionism
American literature
silent film era
social issues of the time
Jim Tully's life
|
|
gptkbp:influences
|
gptkb:American_cinema
Great Depression literature
|
|
gptkbp:inspired
|
subsequent authors
|
|
gptkbp:inspired_by
|
real-life experiences
|
|
gptkbp:is_characterized_by
|
realistic
|
|
gptkbp:is_criticized_for
|
analyzed in film studies
|
|
gptkbp:isbn
|
978-1-60381-123-4
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
influential film
influential in film history
|
|
gptkbp:literary_devices
|
imagery
foreshadowing
|
|
gptkbp:main_character
|
gptkb:Jim_Tully
a young man
|
|
gptkbp:motif
|
gptkb:Community_Center
journey
|
|
gptkbp:music
|
Rudolph G. Kopp
|
|
gptkbp:music_by
|
Rudolph G. Kopp
|
|
gptkbp:narrative_style
|
first-person
linear
subjective
|
|
gptkbp:notable_appearance
|
final confrontation
train sequence
campfire scene
Louise Brooks as a character
|
|
gptkbp:notable_feature
|
Louise Brooks' performance
|
|
gptkbp:notable_for
|
Louise Brooks' performance
|
|
gptkbp:notable_work
|
gptkb:Beggars_of_Life
|
|
gptkbp:official_language
|
English
|
|
gptkbp:page_count
|
320
|
|
gptkbp:plot
|
linear
|
|
gptkbp:precedes
|
gptkb:The_Last_Command
|
|
gptkbp:premiere
|
gptkb:Borough
gptkb:1932
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Paramount_Pictures
Beggars of Life Productions
|
|
gptkbp:published_by
|
gptkb:G._P._Putnam's_Sons
1924
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:reader_demographic
|
varied
|
|
gptkbp:release_date
|
gptkb:1930
gptkb:1932
gptkb:2010
1931
November 1928
|
|
gptkbp:release_format
|
gptkb:Actor
theatrical
black-and-white
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:release_year
|
1928
|
|
gptkbp:released_in
|
1928
|
|
gptkbp:remake
|
gptkb:CEO
Beggars of Life (1930)
Beggars of Life (1931)
Beggars of Life (1932)
Beggars of Life (2010)
|
|
gptkbp:remastered
|
gptkb:CEO
|
|
gptkbp:restoration
|
gptkb:CEO
|
|
gptkbp:runtime
|
90 minutes
80 minutes
|
|
gptkbp:scholarly_analysis
|
extensive
|
|
gptkbp:screenings
|
limited screenings
|
|
gptkbp:screenplay_by
|
gptkb:Leslie_Mc_Farlane
gptkb:John_Lee_Mahin
gptkb:William_A._Wellman
gptkb:John_R._Mc_Gowan
|
|
gptkbp:set_in
|
gptkb:Great_Depression
|
|
gptkbp:setting
|
gptkb:Great_Depression
gptkb:United_States
vivid
|
|
gptkbp:significance
|
high
|
|
gptkbp:sound
|
gptkb:Actor
|
|
gptkbp:starring
|
gptkb:Louise_Brooks
gptkb:Wallace_Beery
gptkb:Dan_Aykroyd
gptkb:Mackenzie_Davis
gptkb:Kristen_Stewart
gptkb:Richard_Arlen
|
|
gptkbp:style
|
realism
|
|
gptkbp:symbolism
|
freedom
desperation
|
|
gptkbp:theme
|
gptkb:survival
poverty
|
|
gptkbp:themes
|
gptkb:amusement_park
gptkb:survival
gptkb:Community_Center
|