Beethoven Piano Sonata No. 32
GPTKB entity
Statements (90)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:Piano_Sonata
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:Maurizio_Pollini
|
| gptkbp:analysis |
Highly regarded by musicologists
Often analyzed in music theory courses Explored in music theory studies Often performed in recitals Considered a pinnacle of piano literature Subject of numerous interpretations |
| gptkbp:artistic_legacy |
Enduring legacy in classical music
|
| gptkbp:audience |
Well-received by audiences
|
| gptkbp:challenges |
Challenges for performers in interpretation
Difficult passages for pianists |
| gptkbp:character |
gptkb:Introspective
|
| gptkbp:characteristics |
Emotional depth
Complex counterpoint Innovative structure Contrasting themes Use of variation form |
| gptkbp:composer |
gptkb:Ludwig_van_Beethoven
|
| gptkbp:critical_reception |
Received critical acclaim since its publication
|
| gptkbp:cultural_impact |
Influence on later composers
Significant impact on classical music |
| gptkbp:cultural_significance |
Represents Beethoven's late style
|
| gptkbp:dedication |
gptkb:Archduke_Rudolph_of_Austria
gptkb:Baron_Joseph_von_Stutterheim |
| gptkbp:depth |
Wide emotional range
|
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:focuses_on |
Used in piano education
|
| gptkbp:form |
Sonata form
|
| gptkbp:historical_context |
gptkb:Final_piano_sonata_by_Beethoven
Subject to various interpretations Represents transition to Romanticism Composed during Beethoven's late period Reflects Beethoven's personal struggles |
| gptkbp:historical_significance |
Important work in Beethoven's oeuvre
|
| https://www.w3.org/2000/01/rdf-schema#label |
Beethoven Piano Sonata No. 32
|
| gptkbp:influence |
Romantic music
Modern classical music |
| gptkbp:influenced_artists |
Influenced later composers
|
| gptkbp:influences |
Influenced by earlier composers
|
| gptkbp:innovation |
Innovative use of form and harmony
|
| gptkbp:inspiration |
Influenced by personal struggles
|
| gptkbp:is_a_venue_for |
Performed in concert halls worldwide
|
| gptkbp:key |
C minor
|
| gptkbp:legacy |
Considered a masterpiece of piano literature
|
| gptkbp:motif |
Recurring motifs throughout the piece
|
| gptkbp:movement |
gptkb:Arietta:_Adagio_molto_semplice_e_cantabile
2 Maestoso – Allegro con brio ed appassionato |
| gptkbp:music_style |
Subject of extensive musical analysis
Requires advanced piano technique Complex harmonic structure Two contrasting movements |
| gptkbp:next_edition |
Published in various editions
|
| gptkbp:notable_performance |
Pianists
Part of the classical piano repertoire |
| gptkbp:notable_performers |
gptkb:Artur_Schnabel
gptkb:Vladimir_Ashkenazy gptkb:Mitsuko_Uchida gptkb:Daniel_Barenboim gptkb:András_Schiff |
| gptkbp:notable_recordings |
gptkb:Artur_Schnabel
gptkb:Mitsuko_Uchida gptkb:Daniel_Barenboim gptkb:András_Schiff gptkb:Wilhelm_Kempff Numerous recordings exist |
| gptkbp:opus_number |
gptkb:Op._111
|
| gptkbp:performance |
Varied interpretations
|
| gptkbp:premiere_date |
1822
|
| gptkbp:published_by |
1832
|
| gptkbp:record_label |
Various record labels have released recordings
|
| gptkbp:related_works |
Other piano sonatas by Beethoven
Piano sonatas by Brahms Piano sonatas by Carter Piano sonatas by Chopin Piano sonatas by Ligeti Piano sonatas by Liszt Piano sonatas by Messiaen Piano sonatas by Prokofiev Piano sonatas by Rachmaninoff Piano sonatas by Schubert |
| gptkbp:stations |
Highly regarded by musicians and critics
|
| gptkbp:style |
Late Romantic
Late Classical |
| gptkbp:thematic_element |
Rich thematic development
|
| gptkbp:themes |
Contrasting themes in movements
|
| gptkbp:year_composed |
1821
1821-1822 |