gptkbp:instance_of
|
gptkb:song
|
gptkbp:bfsLayer
|
5
|
gptkbp:bfsParent
|
gptkb:Car_Seat_Headrest
gptkb:Twin_Fantasy
|
gptkbp:album
|
gptkb:The_Crane_Wife
|
gptkbp:artist
|
gptkb:The_Decemberists
|
gptkbp:artistic_influence
|
gptkb:British_Folk
American Folk
|
gptkbp:associated_act
|
gptkb:The_Decemberists
|
gptkbp:audience
|
Acclaimed
|
gptkbp:chart_performance
|
gptkb:Billboard_200
|
gptkbp:covered_by
|
gptkb:battle
|
gptkbp:critical_reception
|
Positive
|
gptkbp:cultural_impact
|
gptkb:Significant
|
gptkbp:debut_year
|
gptkb:2005
|
gptkbp:fan_base
|
gptkb:Dedicated
|
gptkbp:genre
|
Alternative rock
Indie rock
|
https://www.w3.org/2000/01/rdf-schema#label
|
Beach Life-in-Death
|
gptkbp:influenced_artists
|
gptkb:Fleet_Foxes
gptkb:Sufjan_Stevens
gptkb:Iron_&_Wine
|
gptkbp:influenced_by
|
gptkb:The_Decemberists
gptkb:literary_work
Sea shanties
Traditional Folk
|
gptkbp:influences
|
gptkb:mythological_figure
|
gptkbp:inspired_by
|
gptkb:literary_work
|
gptkbp:instrument
|
gptkb:musician
gptkb:Drums
gptkb:Bass
|
gptkbp:is_available_on
|
Streaming platforms
|
gptkbp:is_featured_in
|
Various playlists
|
gptkbp:label
|
gptkb:Capitol_Records
|
gptkbp:length
|
5:56
|
gptkbp:live_performance
|
gptkb:battle
|
gptkbp:lyricist
|
gptkb:Colin_Meloy
|
gptkbp:music_style
|
Narrative-driven
Verse-Chorus
|
gptkbp:music_video
|
gptkb:battle
|
gptkbp:notable_performance
|
gptkb:Coachella_Festival
|
gptkbp:notable_song
|
“ The sea is a cruel mistress”
|
gptkbp:performance
|
Storytelling
|
gptkbp:producer
|
gptkb:Nick_Launay
|
gptkbp:record_label
|
gptkb:Capitol_Records
|
gptkbp:recording_location
|
gptkb:Type_Foundry_Studios
|
gptkbp:release_year
|
gptkb:2006
|
gptkbp:remix
|
gptkb:battle
|
gptkbp:soundtrack
|
gptkb:The_Crane_Wife_1_&_2
|
gptkbp:theme
|
gptkb:cemetery
|
gptkbp:themes
|
Existentialism
|
gptkbp:track_count
|
gptkb:6
|
gptkbp:writer
|
gptkb:Colin_Meloy
|
gptkbp:year_composed
|
gptkb:2006
|