Statements (62)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:associated_with |
gptkb:Bauhaus_School
|
| gptkbp:characteristic |
Abstract
Experimental Non-narrative |
| gptkbp:cultural_significance |
Influence on Modern Art
Influence on Graphic Design Influence on Film Theory Influence on Architecture |
| gptkbp:director |
gptkb:Hans_Richter
gptkb:Walter_Ruttmann gptkb:Viking_Eggeling |
| gptkbp:historical_period |
1920s
1930s |
| https://www.w3.org/2000/01/rdf-schema#label |
Bauhaus Film
|
| gptkbp:influenced_by |
gptkb:Expressionism
gptkb:Dadaism |
| gptkbp:key_concept |
gptkb:Avant-garde_cinema
gptkb:Minimalism gptkb:sound_design gptkb:Functionalism Color theory Social commentary Interdisciplinary collaboration Geometric abstraction Form follows function Artistic expression Experimental techniques Artistic innovation Visual storytelling Unity of art and technology Non-linear storytelling Innovative techniques Cultural synthesis Political expression Cultural critique Visual poetry Spatial dynamics Artistic collaboration Dynamic composition Cinematic language Visual experimentation Exploration of perception Visual rhythm Aesthetic exploration Temporal manipulation Cinematic abstraction Film as art Interaction of light and shadow Transcendence of traditional narrative |
| gptkbp:movement |
gptkb:Modernism
gptkb:Surrealism Constructivism |
| gptkbp:notable_exhibition |
gptkb:Bauhaus:_Art_as_Life
gptkb:Bauhaus_1919-1933 gptkb:Bauhaus_Exhibition_1923 |
| gptkbp:notable_work |
gptkb:Lichtspiel:_Opus_I
Opus I Rhythms 21 |
| gptkbp:origin |
gptkb:Germany
|
| gptkbp:bfsParent |
gptkb:Weimar_Bauhaus
|
| gptkbp:bfsLayer |
6
|