|
gptkbp:instance_of
|
gptkb:literary_work
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
|
|
gptkbp:audience
|
cult following
|
|
gptkbp:author
|
gptkb:Lanford_Wilson
|
|
gptkbp:awards
|
gptkb:award
|
|
gptkbp:character_development
|
Jesse's journey
Darlene's struggles
The Reverend's faith
|
|
gptkbp:character_motivation
|
Darlene's search for identity
Jesse's desire for connection
The Reverend's quest for redemption
|
|
gptkbp:character_relationships
|
Darlene and The Reverend
Jesse and Darlene
The Reverend and Jesse
|
|
gptkbp:critical_analysis
|
themes of isolation
character dynamics
depiction of urban life
|
|
gptkbp:critical_reception
|
positive reviews
|
|
gptkbp:cultural_impact
|
exploration of drug addiction
portrayal of marginalized communities
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:historical_context
|
1960s America
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Balm in Gilead
|
|
gptkbp:influence
|
gptkb:American_theater
|
|
gptkbp:inspiration
|
Biblical reference
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
influence on playwrights
inclusion in anthologies
study in theater programs
|
|
gptkbp:music_style
|
gptkb:ensemble_cast
monologues
non-linear narrative
|
|
gptkbp:notable_character
|
gptkb:Jesse
gptkb:The_Reverend
gptkb:Darlene
|
|
gptkbp:notable_production
|
gptkb:Circle_Repertory_Company
gptkb:Broadway
|
|
gptkbp:notable_quote
|
" There is a balm in Gilead"
|
|
gptkbp:performance_style
|
realism
|
|
gptkbp:performance_venue
|
gptkb:theater
|
|
gptkbp:premiere_date
|
gptkb:1965
|
|
gptkbp:related_works
|
gptkb:The_Hot_L_Baltimore
gptkb:Talley's_Folly
Fifth of July
|
|
gptkbp:setting
|
gptkb:New_York_City
|
|
gptkbp:social_issues
|
mental health
homelessness
drug crisis
|
|
gptkbp:symbolism
|
Gilead as a place of refuge
the balm as healing
|
|
gptkbp:theme
|
gptkb:addiction
gptkb:community
redemption
|
|
gptkbp:bfsParent
|
gptkb:Rickie_Lee_Jones
gptkb:The_Devil_You_Know
gptkb:Karen_Clark_Sheard
|
|
gptkbp:bfsLayer
|
5
|