|
gptkbp:instance_of
|
gptkb:musical_composition
|
|
gptkbp:arrangements
|
for different instruments
|
|
gptkbp:associated_with
|
Baroque performance practice
|
|
gptkbp:characteristics
|
polyphonic texture
|
|
gptkbp:collaborations
|
other composers
|
|
gptkbp:composer
|
gptkb:Johann_Sebastian_Bach
|
|
gptkbp:dedicated_to
|
gptkb:Prince_Leopold_of_Anhalt-Cöthen
|
|
gptkbp:genre
|
Baroque music
|
|
gptkbp:historical_context
|
early 18th century
|
|
gptkbp:influenced
|
gptkb:musician
classical music
|
|
gptkbp:influenced_by
|
German musical traditions
Italian violin sonatas
|
|
gptkbp:inspired
|
many composers
|
|
gptkbp:instrumentation
|
two violins and continuo
|
|
gptkbp:is_analyzed_in
|
music theory courses
|
|
gptkbp:is_available_on
|
sheet music
|
|
gptkbp:is_characterized_by
|
expressive melodies
|
|
gptkbp:is_cited_in
|
music literature
|
|
gptkbp:is_featured_in
|
recitals
|
|
gptkbp:is_influential_in
|
contemporary classical music
|
|
gptkbp:is_often_used_in
|
gptkb:String_Quartet
various formats
educational settings
music competitions
chamber music settings
|
|
gptkbp:is_recognized_by
|
musicologists
masterpieces of Baroque music
|
|
gptkbp:is_studied_in
|
gptkb:High_School
|
|
gptkbp:key
|
various keys
|
|
gptkbp:movement
|
gptkb:Allegro
gptkb:Largo
gptkb:Adagio
Allegro assai
|
|
gptkbp:notable_features
|
improvisation opportunities
|
|
gptkbp:notable_performance
|
gptkb:6
performed in concerts
|
|
gptkbp:notable_production
|
in the Baroque era
|
|
gptkbp:notable_recordings
|
by various orchestras
|
|
gptkbp:notable_work
|
gptkb:Johann_Sebastian_Bach
|
|
gptkbp:part_of
|
BWV 525-530
Bach's chamber music works
|
|
gptkbp:performed_by
|
music festivals
various ensembles
historical performance practice
|
|
gptkbp:published_by
|
1830
Bärenreiter
|
|
gptkbp:recorded_by
|
numerous artists
|
|
gptkbp:repertoire
|
classical musicians
|
|
gptkbp:style
|
counterpoint
|
|
gptkbp:bfsParent
|
gptkb:Ton_Koopman
gptkb:Bach:_Organ_Sonatas
|
|
gptkbp:bfsLayer
|
6
|