Statements (53)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:orcas
|
gptkbp:adaptations |
arrangements for various ensembles
|
gptkbp:associated_with |
Lutheran tradition
|
gptkbp:author |
Christian Friedrich Henrici (Picander)
|
gptkbp:available_in |
various recordings
|
gptkbp:based_on |
the Passion narrative in the Gospel of Matthew
|
gptkbp:choral_structure |
two choirs
|
gptkbp:composer |
gptkb:Johann_Sebastian_Bach
|
gptkbp:cultural_impact |
significant influence on Western music
|
gptkbp:cultural_significance |
important work in Western classical music
|
gptkbp:duration |
approximately 2.5 hours
|
gptkbp:historical_context |
written during the Baroque period
|
gptkbp:influenced |
later choral works
|
gptkbp:influenced_by |
Baroque music
|
gptkbp:inspired |
numerous interpretations
|
gptkbp:instruments |
brass
strings continuo woodwinds |
gptkbp:language |
gptkb:German
|
gptkbp:notable_features |
recitatives and arias
chorales dramatic elements |
gptkbp:notable_influence |
Erbarme dich
Wir setzen uns mit Tränen nieder Mache dich, mein Herz, bereit |
gptkbp:notable_performances |
conducted by famous conductors
|
gptkbp:notable_recordings |
conducted by Herbert von Karajan
conducted by Nikolaus Harnoncourt conducted by John Eliot Gardiner conducted by Philippe Herreweghe conducted by Ton Koopman |
gptkbp:number_of_pieces |
68
|
gptkbp:orchestration |
large orchestra
|
gptkbp:performance |
authentic performance practices
|
gptkbp:performance_tradition |
often performed in liturgical settings
|
gptkbp:performed_at |
Good Friday services
|
gptkbp:performed_by |
orchestras
soloists choir and orchestra amateur choirs professional choirs |
gptkbp:performed_in |
gptkb:church
gptkb:festivals concert halls |
gptkbp:premiere_date |
1727
|
gptkbp:recorded_by |
many artists
|
gptkbp:scholarly_analysis |
extensively studied by musicologists
|
gptkbp:thematic_element |
suffering and redemption
|
gptkbp:bfsParent |
gptkb:Renata_Tebaldi
gptkb:John_Eliot_Gardiner gptkb:Sir_Adrian_Boult |
gptkbp:bfsLayer |
5
|