|
gptkbp:instance_of
|
gptkb:musical
|
|
gptkbp:associated_with
|
Lutheran liturgy
|
|
gptkbp:available_in
|
sheet music
digital format
|
|
gptkbp:composer
|
gptkb:Johann_Sebastian_Bach
|
|
gptkbp:cultural_significance
|
important in organ repertoire
|
|
gptkbp:dedication
|
gptkb:Lutheranism
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gptkbp:first_performance
|
1708
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|
gptkbp:form
|
chorale prelude
|
|
gptkbp:genre
|
gptkb:Christian_liturgy
|
|
gptkbp:influence
|
Baroque music
|
|
gptkbp:influenced
|
organ music tradition
|
|
gptkbp:inspired
|
many composers
|
|
gptkbp:instrumentation
|
gptkb:organ
|
|
gptkbp:is_studied_in
|
musicology
|
|
gptkbp:language
|
gptkb:German
|
|
gptkbp:legacy
|
foundation for future organ works
|
|
gptkbp:notable_production
|
gptkb:Nun_komm,_der_Heiden_Heiland
gptkb:O_Lamm_Gottes,_unschuldig
Christ, der du bist der helle Tag
Ich ruf zu dir, Herr Jesu Christ
|
|
gptkbp:notable_recordings
|
gptkb:Ton_Koopman
gptkb:Marie-Claire_Alain
gptkb:Helmut_Walcha
gptkb:Murray_Perahia
gptkb:Peter_Hurford
gptkb:Gottfried_Bach
gptkb:Wolfgang_Rübsam
|
|
gptkbp:notable_traits
|
use of counterpoint
varied textures
expressive melodies
harmonic complexity
|
|
gptkbp:number_of_pieces
|
46
|
|
gptkbp:performance
|
improvisation
|
|
gptkbp:performed_at
|
gptkb:concerts
church services
|
|
gptkbp:published
|
1830
|
|
gptkbp:recorded_by
|
various artists
|
|
gptkbp:style
|
gptkb:Baroque
|
|
gptkbp:thematic_element
|
chorale melodies
|
|
gptkbp:year_composed
|
1708
|
|
gptkbp:bfsParent
|
gptkb:Marie-Claire_Alain
gptkb:E._Power_Biggs
|
|
gptkbp:bfsLayer
|
5
|