Statements (78)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:choir
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:Bach_cantatas
gptkb:Cantatas_by_Bach gptkb:Bach_Cantatas gptkb:Bach:_Cantatas |
| gptkbp:arrangements |
various instrumental arrangements
|
| gptkbp:artist |
rich harmonies and counterpoint
|
| gptkbp:artistic_influence |
influenced later composers
|
| gptkbp:artistic_legacy |
remains a staple in choral repertoire
|
| gptkbp:associated_band |
soprano, alto, tenor, bass
|
| gptkbp:audience |
well-received by audiences
|
| gptkbp:author |
gptkb:Paul_Gerhardt
|
| gptkbp:collaborations |
collaborated with various musicians
|
| gptkbp:composed_of |
gptkb:Johann_Sebastian_Bach
|
| gptkbp:composer |
gptkb:Johann_Sebastian_Bach
|
| gptkbp:cultural_impact |
significant in classical music repertoire
influenced choral music development reflects Lutheran beliefs |
| gptkbp:cultural_significance |
part of Western classical canon
|
| gptkbp:duration |
approximately 30 minutes
|
| gptkbp:filming_location |
gptkb:Leipzig
|
| gptkbp:first_performance |
1731
November 25, 1731 |
| gptkbp:focuses_on |
studied in music education
|
| gptkbp:genre |
Sacred music
|
| gptkbp:historical_context |
varied interpretations by conductors
written during the Lutheran tradition |
| gptkbp:historical_significance |
important in choral literature
reflects Baroque musical practices |
| https://www.w3.org/2000/01/rdf-schema#label |
BWV 140
|
| gptkbp:influence |
inspired many choral works
|
| gptkbp:innovation |
innovative for its time
|
| gptkbp:instrument |
strings, woodwinds, brass
|
| gptkbp:instrumentation |
SATB choir, strings, continuo
SATB choir, strings, and continuo |
| gptkbp:is_a_venue_for |
concert halls and churches
|
| gptkbp:is_influential_in |
gptkb:choir
|
| gptkbp:key |
E-flat major
|
| gptkbp:language |
gptkb:Native_American_tribe
|
| gptkbp:movement |
gptkb:television_series
|
| gptkbp:music |
part of the Western classical tradition
|
| gptkbp:music_style |
multi-movement work
subject to various interpretations analyzed for its structure melodic and harmonic richness follows traditional cantata form written in traditional notation |
| gptkbp:next_edition |
published in various editions
|
| gptkbp:notable_conductors |
conducted by renowned conductors
|
| gptkbp:notable_performance |
gptkb:musical_group
performed by many choirs worldwide performed during Advent season |
| gptkbp:notable_performers |
performed by famous choirs
|
| gptkbp:notable_recordings |
numerous available
many acclaimed recordings exist |
| gptkbp:notable_song |
Wachet auf, ruft uns die Stimme
|
| gptkbp:opening_ceremony |
gptkb:Fourth_Sunday_in_Advent
|
| gptkbp:part_of |
gptkb:Bach's_church_cantatas
|
| gptkbp:performance |
often performed in liturgical settings
performed since its composition often performed in church services |
| gptkbp:performed_by |
gptkb:church
|
| gptkbp:record_label |
recorded by major labels
|
| gptkbp:related_works |
other cantatas by Bach
|
| gptkbp:style |
gptkb:Baroque
|
| gptkbp:text |
gptkb:Philipp_Nicolai
structured around biblical texts |
| gptkbp:thematic_element |
Christian themes
|
| gptkbp:theme |
explores themes of vigilance and faithfulness
themes of hope and anticipation watchfulness and readiness |
| gptkbp:themes |
spiritual awakening
|
| gptkbp:title |
Wachet auf, ruft uns die Stimme
|
| gptkbp:vocalization |
based on hymn tunes
|
| gptkbp:wrote |
analyzed for its theological implications
explores spiritual readiness |
| gptkbp:year_composed |
1731
|