|
gptkbp:instanceOf
|
gptkb:person
gptkb:writer
|
|
gptkbp:almaMater
|
gptkb:King's_College_London
|
|
gptkbp:awards
|
gptkb:Somerset_Maugham_Award
|
|
gptkbp:birthDate
|
1933-02-05
|
|
gptkbp:birthPlace
|
gptkb:London
|
|
gptkbp:burialPlace
|
gptkb:Highgate_Cemetery
|
|
gptkbp:causeOfDeath
|
suicide
|
|
gptkbp:children
|
gptkb:Rebecca_Johnson
gptkb:Juliet_Johnson
|
|
gptkbp:collaboratedWith
|
gptkb:Zulfikar_Ghose
|
|
gptkbp:deathDate
|
1973-11-13
|
|
gptkbp:deathPlace
|
gptkb:London
|
|
gptkbp:editor
|
gptkb:New_Writers_anthology
|
|
gptkbp:education
|
gptkb:King's_College_London
|
|
gptkbp:fullName
|
gptkb:Bryan_Stanley_Johnson
|
|
gptkbp:genre
|
experimental literature
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
B. S. Johnson
|
|
gptkbp:influenced
|
gptkb:Jonathan_Coe
|
|
gptkbp:influencedBy
|
gptkb:James_Joyce
gptkb:Samuel_Beckett
|
|
gptkbp:knownFor
|
cut-up novel format (The Unfortunates)
experimental novels
hole-punched pages (Albert Angelo)
unconventional narrative techniques
|
|
gptkbp:language
|
English
|
|
gptkbp:movement
|
gptkb:British_avant-garde
|
|
gptkbp:nationality
|
British
|
|
gptkbp:notableWork
|
gptkb:The_Unfortunates
gptkb:Christie_Malry's_Own_Double-Entry
gptkb:Albert_Angelo
gptkb:House_Mother_Normal
|
|
gptkbp:occupation
|
gptkb:film_director
gptkb:poet
novelist
playwright
|
|
gptkbp:spouse
|
gptkb:Virginia_Ann_Kimpton
|
|
gptkbp:subjectOf
|
gptkb:Like_a_Fiery_Elephant_(biography_by_Jonathan_Coe)
|
|
gptkbp:wrote
|
gptkb:The_Unfortunates
gptkb:Christie_Malry's_Own_Double-Entry
gptkb:Albert_Angelo
gptkb:Aren't_You_Rather_Young_to_be_Writing_Your_Memoirs?
gptkb:House_Mother_Normal
gptkb:Poems_Two
gptkb:See_the_Old_Lady_Decently
gptkb:Travelling_People
gptkb:You_Always_Remember_the_First_Time
Trawl
|
|
gptkbp:yearsActive
|
1961–1973
|
|
gptkbp:bfsParent
|
gptkb:The_Unfortunates
gptkb:Jonathan_Coe
|
|
gptkbp:bfsLayer
|
6
|