|
gptkbp:instance_of
|
gptkb:novel
gptkb:play
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:radio_station
gptkb:theater
gptkb:Atonement_(2007_film)
gptkb:Atonement_(musical)
gptkb:Atonement_(radio_play)
gptkb:Atonement_(BBC_Radio_4_adaptation)
gptkb:BAFTA_Awards
gptkb:film
gptkb:stage_play
Academy Award nominations
Golden Globe nominations
Atonement (play)
|
|
gptkbp:adaptation_year
|
gptkb:2007
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:adapted_to_graphic_novel
|
gptkb:novel_adaptations
|
|
gptkbp:adapted_to_radio
|
gptkb:BBC_Radio
|
|
gptkbp:audience
|
positive
|
|
gptkbp:author
|
gptkb:Ian_Mc_Ewan
|
|
gptkbp:awards
|
gptkb:Golden_Globe
gptkb:Golden_Booker_Prize
gptkb:James_Tait_Black_Memorial_Prize
gptkb:Whitbread_Book_Awards
gptkb:Whitbread_Book_of_the_Year
gptkb:Academy_Awards
gptkb:BAFTA_Awards
Golden Globe nomination
Booker Prize nomination
Booker Prize nominee
Booker Prize shortlist
|
|
gptkbp:based_on
|
gptkb:novel
novel by Ian Mc Ewan
Atonement (novel)
|
|
gptkbp:box_office
|
$30 million
$129 million
|
|
gptkbp:budget
|
$30 million
|
|
gptkbp:character
|
gptkb:Briony_Tallis
gptkb:Cecilia_Tallis
gptkb:Robbie_Turner
gptkb:Paul_Marshall
Lola Quincey
|
|
gptkbp:character_development
|
Briony evolves throughout the story
Briony grows up
Cecilia's independence
Robbie's struggles
Cecilia's love story is central
Robbie's experiences reflect war's impact
Robbie's struggles with class and war
Briony evolves throughout the story.
Cecilia's love story is central.
Robbie's struggles are highlighted.
|
|
gptkbp:character_relationships
|
Briony and Cecilia
Briony and Robbie
Cecilia and Robbie
|
|
gptkbp:characters
|
gptkb:Briony_Tallis
gptkb:Cecilia_Tallis
gptkb:Robbie_Turner
gptkb:Emily_Tallis
gptkb:Paul_Marshall
Lola Quincey
|
|
gptkbp:cinematography_by
|
gptkb:Seamus_Mc_Garvey
|
|
gptkbp:conflict
|
internal conflict
external conflict
|
|
gptkbp:cover_artist
|
Atonement cover art
|
|
gptkbp:critical_analysis
|
examines the nature of truth
explores moral ambiguity
examines class differences
explores themes of memory
discusses the impact of war
addresses the impact of war
explores the nature of storytelling
discusses the effects of war on individuals
examines the nature of storytelling
|
|
gptkbp:critical_reception
|
acclaimed
positive
widely acclaimed
controversial ending
|
|
gptkbp:cultural_impact
|
critically acclaimed
cult following
inspired art and literature
inspired discussions on morality
influenced literature
widely studied in schools
inspired academic studies
influenced film
influenced theater
adapted into stage plays
influenced literary criticism
influenced other films
studied in academic settings
adaptations in various media
featured in literary criticism
adapted into stage play
adaptations in theater
inspired discussions on narrative reliability
influenced literary studies
|
|
gptkbp:directed_by
|
gptkb:Joe_Wright
|
|
gptkbp:director
|
gptkb:Joe_Wright
|
|
gptkbp:distributor
|
gptkb:Focus_Features
|
|
gptkbp:edited_by
|
gptkb:Paul_Trewartha
|
|
gptkbp:ended
|
ambiguous ending.
|
|
gptkbp:film
|
gptkb:Sir_Keira_Knightley
gptkb:James_Mc_Avoy
gptkb:England
gptkb:France
gptkb:Saoirse_Ronan
English
|
|
gptkbp:film_awards
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Drama
gptkb:Academy_Award_for_Best_Original_Score
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Musical_or_Comedy
gptkb:Academy_Awards
gptkb:BAFTA_Awards
gptkb:Golden_Globe_Award
Golden Globe nomination
Academy Awards nomination
BAFTA Awards nomination
|
|
gptkbp:film_debut
|
gptkb:Toronto_International_Film_Festival
Atonement (novel)
|
|
gptkbp:film_editing
|
gptkb:2007
gptkb:screenplay_by_Christopher_Hampton
2007 film
directed by Joe Wright
|
|
gptkbp:film_length
|
123 minutes
|
|
gptkbp:film_rotten_tomatoes_rating
|
83%
|
|
gptkbp:filming_location
|
gptkb:England
gptkb:France
gptkb:Scotland
|
|
gptkbp:format
|
gptkb:audiobook
gptkb:e_Book
hardcover
paperback
|
|
gptkbp:genre
|
gptkb:Dario_Marianelli
gptkb:drama
gptkb:historical_fiction
romance
|
|
gptkbp:has_adaptation
|
gptkb:theater_productions
musical adaptations
|
|
gptkbp:historical_context
|
post-World War II
pre-World War II
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Atonement
|
|
gptkbp:influenced_by
|
gptkb:D._H._Lawrence
gptkb:James_Joyce
gptkb:Virginia_Woolf
gptkb:World_War_II
postmodern literature
modernist literature
personal experiences of the author
|
|
gptkbp:influences
|
gptkb:D._H._Lawrence
gptkb:F._Scott_Fitzgerald
gptkb:Henry_James
gptkb:James_Joyce
gptkb:Virginia_Woolf
gptkb:World_War_II
literary modernism
class differences
British class system
|
|
gptkbp:inspiration
|
gptkb:historical_events
real-life events
real events
|
|
gptkbp:inspired_by
|
real events
|
|
gptkbp:isbn
|
978-0-224-06029-4
978-0385721790
978-0-224-06025-2
978-0-099-49000-3
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_devices
|
stream of consciousness
metafiction
foreshadowing
|
|
gptkbp:literary_significance
|
explores themes of redemption
examines the consequences of actions
reflects on the nature of storytelling
|
|
gptkbp:main_character
|
gptkb:Briony_Tallis
gptkb:Cecilia_Tallis
gptkb:Robbie_Turner
|
|
gptkbp:motif
|
gptkb:memory
misunderstanding
redemption
narrative unreliability
|
|
gptkbp:music_by
|
gptkb:Dario_Marianelli
|
|
gptkbp:narrative
|
first-person
third-person
multiple perspectives
non-linear
unreliable narrator
frame story
epistolary elements
|
|
gptkbp:narrative_style
|
stream of consciousness
multiple perspectives
flashbacks
non-linear
foreshadowing
|
|
gptkbp:notable_characters
|
gptkb:Briony_Tallis
gptkb:Cecilia_Tallis
gptkb:Robbie_Turner
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:pages
|
gptkb:368
|
|
gptkbp:plot
|
A false accusation changes the lives of the characters.
|
|
gptkbp:premiered_on
|
gptkb:2001
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Eric_Fellner
gptkb:Tim_Bevan
|
|
gptkbp:production_company
|
gptkb:Focus_Features
|
|
gptkbp:protagonist
|
gptkb:Briony_Tallis
gptkb:Cecilia_Tallis
gptkb:Robbie_Turner
|
|
gptkbp:published
|
gptkb:2001
|
|
gptkbp:published_by
|
gptkb:Nan_A._Talese
|
|
gptkbp:published_in
|
gptkb:2001
|
|
gptkbp:publisher
|
gptkb:Nan_A._Talese
gptkb:Jonathan_Cape
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:reader_demographic
|
widely studied in literature courses
polarizing opinions on ending
|
|
gptkbp:related_works
|
gptkb:The_Comfort_of_Strangers
gptkb:The_Children_Act
gptkb:Amsterdam
Saturday
|
|
gptkbp:release_format
|
gptkb:DVD
gptkb:Blu-ray
theatrical
|
|
gptkbp:release_year
|
gptkb:2007
|
|
gptkbp:released_in
|
gptkb:2007
|
|
gptkbp:released_on
|
September 7, 2007
|
|
gptkbp:runtime
|
123 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Christopher_Hampton
|
|
gptkbp:set_in
|
gptkb:England
gptkb:France
|
|
gptkbp:setting
|
gptkb:England
gptkb:World_War_II
1930s
1940s
1930s England
|
|
gptkbp:starring
|
gptkb:Sir_Keira_Knightley
gptkb:James_Mc_Avoy
gptkb:Saoirse_Ronan
|
|
gptkbp:start_location
|
Tallis family estate
|
|
gptkbp:style
|
literary fiction
stream of consciousness
non-linear narrative
|
|
gptkbp:symbolism
|
gptkb:water
gptkb:letters
gptkb:Writer
the sea
the library
the fountain
green dress
|
|
gptkbp:thematic_element
|
gptkb:memory
narrative reliability
|
|
gptkbp:themes
|
love
forgiveness
guilt
class distinction
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:won_award
|
gptkb:Cannes_Film_Festival_Best_Costume_Design
gptkb:New_York_Film_Critics_Circle_Award_for_Best_Director
gptkb:BAFTA_Award_for_Best_Film
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Drama
gptkb:National_Board_of_Review_Award_for_Best_Director
gptkb:Writers_Guild_of_America_Award_for_Best_Adapted_Screenplay
gptkb:National_Board_of_Review_Award_for_Best_Film
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:Academy_Award_for_Best_Cinematography
gptkb:Academy_Award_for_Best_Original_Score
gptkb:Academy_Award_for_Best_Picture
gptkb:Empire_Award_for_Best_Actress
gptkb:Empire_Award_for_Best_British_Film
gptkb:Golden_Globe_Award_for_Best_Original_Score
gptkb:BAFTA_Award_for_Best_Film_Music
gptkb:Screen_Actors_Guild_Award_for_Outstanding_Performance_by_a_Cast_in_a_Motion_Picture
gptkb:New_York_Film_Critics_Circle_Award_for_Best_Film
gptkb:National_Board_of_Review_Award_for_Best_Supporting_Actress
gptkb:New_York_Film_Critics_Circle_Award_for_Best_Supporting_Actress
gptkb:Satellite_Award_for_Best_Motion_Picture_–_Drama
gptkb:London_Film_Critics_Circle_Award_for_Actress_of_the_Year
gptkb:National_Board_of_Review_Award_for_Best_Actress
gptkb:Satellite_Award_for_Best_Original_Score
gptkb:Critics'_Choice_Movie_Award_for_Best_Acting_Ensemble
gptkb:Critics'_Choice_Movie_Award_for_Best_Picture
gptkb:Empire_Award_for_Best_Director
gptkb:AFI_Awards_for_Best_Actress
gptkb:AFI_Awards_for_Best_Director
gptkb:Critics'_Choice_Movie_Award_for_Best_Score
gptkb:Empire_Award_for_Best_Film
gptkb:London_Film_Critics_Circle_Award_for_Film_of_the_Year
gptkb:London_Film_Critics_Circle_Award_for_Screenwriter_of_the_Year
gptkb:National_Society_of_Film_Critics_Award_for_Best_Film
gptkb:National_Society_of_Film_Critics_Award_for_Best_Supporting_Actress
gptkb:New_York_Film_Critics_Circle_Award_for_Best_Screenplay
gptkb:AFI_Awards_for_Movie_of_the_Year
gptkb:National_Board_of_Review_Award_for_Best_Adapted_Screenplay
7 Academy Awards
Critics' Choice Movie Award for Best Adapted Screenplay
London Film Critics Circle Award for British Film of the Year
AFI Awards for Best Film
London Film Critics Circle Award for Supporting Actor of the Year
14 BAFTA Awards
|
|
gptkbp:writer
|
gptkb:Christopher_Hampton
|
|
gptkbp:written_by
|
gptkb:Ian_Mc_Ewan
|
|
gptkbp:year
|
gptkb:World_War_II
|
|
gptkbp:bfsParent
|
gptkb:Alfred_A._Knopf
gptkb:Farrar,_Straus_and_Giroux
gptkb:The_London_Film_Festival
gptkb:Dario_Marianelli
gptkb:church
gptkb:Academy_Award_for_Best_Cinematography
gptkb:Ian_Mc_Ewan
gptkb:James_Mc_Avoy
gptkb:Vanessa_Redgrave
gptkb:Dame_Harriet_Walter
gptkb:Focus_Features
gptkb:Chatto_&_Windus
gptkb:The_Boy_in_the_Bubble
gptkb:W._E._(2011)
gptkb:The_180th_Annual_Academy_Awards
gptkb:The_280th_Annual_Academy_Awards
gptkb:The_80th_Annual_Academy_Awards
|
|
gptkbp:bfsLayer
|
4
|