gptkbp:instance_of
|
gptkb:novel
|
gptkbp:bfsLayer
|
5
|
gptkbp:bfsParent
|
gptkb:Daniel_Alarcón
|
gptkbp:adaptation
|
gptkb:theatre
|
gptkbp:author
|
gptkb:Daniel_Alarcón
|
gptkbp:awards
|
finalist for the 2014 PEN/ Faulkner Award
|
gptkbp:character
|
gptkb:theatre
family of Nelson
friends of Nelson
|
gptkbp:character_development
|
Nelson's journey
|
gptkbp:conflict
|
internal conflict
external conflict
|
gptkbp:critical_reception
|
positive
|
gptkbp:followed_by
|
The King Is Always Above the People
|
gptkbp:genre
|
gptkb:Author
|
https://www.w3.org/2000/01/rdf-schema#label
|
At Night We Walk in Circles
|
gptkbp:influences
|
political unrest
Peruvian culture
|
gptkbp:isbn
|
9781594631930
|
gptkbp:language
|
English
|
gptkbp:literary_devices
|
gptkb:literary_work
symbolism
flashbacks
imagery
foreshadowing
|
gptkbp:main_character
|
gptkb:Nelson
|
gptkbp:motif
|
gptkb:theatre
walking
circles
|
gptkbp:narrative_style
|
first-person
|
gptkbp:page_count
|
288
|
gptkbp:plot
|
explores themes of identity and belonging
follows a theater troupe
involves a journey through a divided society
|
gptkbp:published_year
|
gptkb:2013
|
gptkbp:publisher
|
gptkb:Riverhead_Books
|
gptkbp:reader_demographic
|
emotional
engaging
reflective
thought-provoking
culturally significant
|
gptkbp:setting
|
gptkb:Peru
contemporary
|
gptkbp:style
|
lyrical
|
gptkbp:symbolism
|
circles as a representation of fate
theater as a reflection of life
walking as a journey
|
gptkbp:theme
|
gptkb:TV_series
gptkb:historical_event
gptkb:theatre
|
gptkbp:translated_into
|
not applicable
|