Statements (52)
Predicate | Object |
---|---|
gptkbp:instanceOf |
play
|
gptkbp:adaptation |
theatrical adaptations
film adaptations various modern adaptations musical adaptations |
gptkbp:artMovement |
puns
wordplay situational irony |
gptkbp:audience |
performed for various social classes
popular_in_ancient_Rome |
gptkbp:character |
father figure
young lover slave |
gptkbp:characterDevelopment |
Cario's cleverness
Ctesipho's father's authority Ctesipho's growth |
gptkbp:culturalImpact |
influenced later comedies
|
gptkbp:culturalSignificance |
important_work_in_ancient_Roman_literature
|
gptkbp:genre |
comedy
|
gptkbp:hasPerformance |
circa 254 BC
|
gptkbp:historicalContext |
gptkb:Roman_Republic
|
gptkbp:historicalSignificance |
provides_insight_into_ancient_Roman_life
reflects_Roman_society |
https://www.w3.org/2000/01/rdf-schema#label |
Asinaria
|
gptkbp:influence |
gptkb:Roman_theatre
|
gptkbp:inspiration |
inspired playwrights throughout history
|
gptkbp:language |
gptkb:Latin
|
gptkbp:legacy |
remains_a_classic_of_Roman_literature
|
gptkbp:mainCharacter |
Cario
Ctesipho |
gptkbp:notableFeature |
Ctesipho's father
the courtesan the slave |
gptkbp:notableQuote |
'I am a man of my word.'
|
gptkbp:performance |
theatre
performed in festivals performed by troupes performed in public spaces |
gptkbp:performances |
farce
|
gptkbp:plot |
Cario's schemes to help Ctesipho
Ctesipho's love for a courtesan conflict with Ctesipho's father resolution through cleverness |
gptkbp:scholarships |
studied in classical literature courses
|
gptkbp:setting |
gptkb:Athens
|
gptkbp:thematicElement |
class struggle
romantic entanglements cunning and wit |
gptkbp:theme |
love
deception social class |
gptkbp:wrote |
gptkb:Plautus
|