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gptkbp:instance_of
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gptkb:film
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|
gptkbp:adaptation
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adapted into a stage play
adapted into a graphic novel
adapted into a radio play
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gptkbp:awards
|
Best Director at Cannes
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gptkbp:based_on
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novel by Jerzy Andrzejewski
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gptkbp:box_office
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gptkb:unknown
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gptkbp:character
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gptkb:Maciek_Chełmicki
the priest
the bartender
Krystyna
Dziubek
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gptkbp:cinematography_by
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gptkb:Eugeniusz_Pankowski
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gptkbp:color
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black and white
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|
gptkbp:country
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gptkb:Poland
|
|
gptkbp:critical_reception
|
highly acclaimed
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|
gptkbp:cultural_impact
|
considered a classic
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gptkbp:directed_by
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gptkb:Andrzej_Wajda
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gptkbp:distributor
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Film Polski
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gptkbp:film_festival
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gptkb:Cannes_Film_Festival
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gptkbp:film_technique
|
symbolic imagery
long takes
deep focus
|
|
gptkbp:genre
|
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Ashes and Diamonds
|
|
gptkbp:influenced
|
directors like Agnieszka Holland
directors like Jerzy Skolimowski
directors like Krzysztof Kieślowski
|
|
gptkbp:influenced_by
|
gptkb:Italian_neorealism
historical events of the time
|
|
gptkbp:inspiration
|
subsequent Polish cinema
|
|
gptkbp:language
|
gptkb:Polish
|
|
gptkbp:music_by
|
gptkb:Andrzej_Korzyński
|
|
gptkbp:notable_actor
|
gptkb:Zbigniew_Cybulski
gptkb:Ewa_Krzyzewska
Wacław Zastrzeżyński
|
|
gptkbp:notable_quote
|
" Life is a game of chance."
" We are all ashes and diamonds."
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|
gptkbp:notable_scene
|
the final confrontation
the bar scene
the love story
|
|
gptkbp:production_company
|
gptkb:Zespół_Filmowy_"_Kadr"
|
|
gptkbp:release_date
|
1958-09-12
|
|
gptkbp:released_in
|
gptkb:1958
|
|
gptkbp:runtime
|
103 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Andrzej_Wajda
|
|
gptkbp:set_in
|
gptkb:post-World_War_II_Poland
|
|
gptkbp:setting
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gptkb:Warsaw
post-war ruins
|
|
gptkbp:themes
|
gptkb:moral_ambiguity
gptkb:conflict
gptkb:identity
|
|
gptkbp:bfsParent
|
gptkb:Andrzej_Wajda
|
|
gptkbp:bfsLayer
|
5
|