|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
gptkb:Cannes_Film_Festival_Award
|
|
gptkbp:based_on
|
gptkb:novel
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:cast
|
gptkb:Jeanne_Moreau
gptkb:Maurice_Ronet
|
|
gptkbp:character
|
gptkb:Detective
gptkb:Catherine
gptkb:Louis
gptkb:Julien_Tavernier
|
|
gptkbp:cinematography
|
gptkb:Gérard_Philipe
|
|
gptkbp:composer
|
gptkb:Miles_Davis
|
|
gptkbp:country
|
gptkb:Monarch
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
influential in French cinema
|
|
gptkbp:director
|
gptkb:Louis_Malle
|
|
gptkbp:distributor
|
gptkb:CIC
|
|
gptkbp:editor
|
Yvonne Martin
|
|
gptkbp:film_festival
|
gptkb:Cannes_1958
|
|
gptkbp:genre
|
gptkb:Police_Department
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Ascenseur pour l'échafaud
|
|
gptkbp:influenced
|
future filmmakers
|
|
gptkbp:influenced_by
|
gptkb:American_cinema
gptkb:Italian_neorealism
film noir
|
|
gptkbp:inspiration
|
real-life events
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:notable_appearance
|
the final confrontation
the elevator scene
the chase sequence
the jazz performance
|
|
gptkbp:notable_feature
|
jazz score
|
|
gptkbp:notable_quote
|
" I can't live without you."
" Love is a crime."
" You can't escape your fate."
" Time is running out."
" What a strange way to die."
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:release_date
|
December 1958
|
|
gptkbp:release_year
|
gptkb:1958
|
|
gptkbp:remake
|
Lift to the Scaffold (2000)
|
|
gptkbp:runtime
|
91 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Louis_Malle
|
|
gptkbp:setting
|
gptkb:Paris
|
|
gptkbp:style
|
gptkb:French_New_Wave
|
|
gptkbp:theme
|
gptkb:existentialism
|
|
gptkbp:bfsParent
|
gptkb:Miles_Ahead
|
|
gptkbp:bfsLayer
|
5
|