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gptkbp:instanceOf
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gptkb:opera
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gptkbp:authorOfSourceMaterial
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gptkb:Torquato_Tasso
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gptkbp:basedOn
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gptkb:Jerusalem_Delivered
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gptkbp:character
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gptkb:Sidonie
gptkb:Armide
gptkb:Renaud
gptkb:Aronte
gptkb:Danish_Knight
gptkb:Hate_(La_Haine)
gptkb:Hidraot
gptkb:Phénice
gptkb:Ubalde
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gptkbp:commissionedBy
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gptkb:Louis_XIV
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gptkbp:composer
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gptkb:Jean-Baptiste_Lully
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gptkbp:genre
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tragédie en musique
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gptkbp:historicalSignificance
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considered a masterpiece of French Baroque opera
last collaboration between Lully and Quinault
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|
https://www.w3.org/2000/01/rdf-schema#label
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Armide (Lully)
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gptkbp:influenced
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gptkb:Armide_(Gluck)
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gptkbp:language
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gptkb:French
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gptkbp:librettist
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gptkb:Philippe_Quinault
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gptkbp:notableAria
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Enfin, il est en ma puissance
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gptkbp:notableFeature
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tragic ending
psychological depth of title character
use of dance and ballet
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gptkbp:notableProduction
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gptkb:Opéra_Garnier,_1905
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gptkbp:notableRecording
|
Les Arts Florissants, William Christie
Les Musiciens du Louvre, Marc Minkowski
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gptkbp:numberOfActs
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5
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gptkbp:premiereDate
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1686-02-15
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gptkbp:premiereLocation
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gptkb:Paris
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gptkbp:publishedBy
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gptkb:Ballard
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gptkbp:releaseDate
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1686
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gptkbp:setDuring
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gptkb:First_Crusade
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gptkbp:setIn
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gptkb:Jerusalem
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gptkbp:structure
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prologue and five acts
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|
gptkbp:subject
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gptkb:Armide
gptkb:Renaud
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gptkbp:bfsParent
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gptkb:Gerusalemme_Liberata_(Tasso)
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gptkbp:bfsLayer
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6
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