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gptkbp:instanceOf
|
gptkb:opera
|
|
gptkbp:authorOfSourceMaterial
|
gptkb:Torquato_Tasso
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gptkbp:basedOn
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gptkb:Jerusalem_Delivered
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gptkbp:character
|
gptkb:Sidonie
gptkb:Armide
gptkb:Renaud
gptkb:Aronte
gptkb:Danish_Knight
gptkb:Hate_(La_Haine)
gptkb:Hidraot
gptkb:Phénice
gptkb:Ubalde
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gptkbp:commissionedBy
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gptkb:Louis_XIV
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gptkbp:composer
|
gptkb:Jean-Baptiste_Lully
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gptkbp:genre
|
tragédie en musique
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gptkbp:historicalSignificance
|
considered a masterpiece of French Baroque opera
last collaboration between Lully and Quinault
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|
gptkbp:influenced
|
gptkb:Armide_(Gluck)
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gptkbp:language
|
gptkb:French
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gptkbp:librettist
|
gptkb:Philippe_Quinault
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gptkbp:notableAria
|
Enfin, il est en ma puissance
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gptkbp:notableFeature
|
tragic ending
psychological depth of title character
use of dance and ballet
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|
gptkbp:notableProduction
|
gptkb:Opéra_Garnier,_1905
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gptkbp:notableRecording
|
Les Arts Florissants, William Christie
Les Musiciens du Louvre, Marc Minkowski
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|
gptkbp:numberOfActs
|
5
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|
gptkbp:premiereDate
|
1686-02-15
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gptkbp:premiereLocation
|
gptkb:Paris
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gptkbp:publishedBy
|
gptkb:Ballard
|
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gptkbp:releaseDate
|
1686
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gptkbp:setDuring
|
gptkb:First_Crusade
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|
gptkbp:setIn
|
gptkb:Jerusalem
|
|
gptkbp:structure
|
prologue and five acts
|
|
gptkbp:subject
|
gptkb:Armide
gptkb:Renaud
|
|
gptkbp:bfsParent
|
gptkb:Académie_Royale_de_Musique,_Paris
gptkb:Gerusalemme_Liberata_(Tasso)
|
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gptkbp:bfsLayer
|
7
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|
https://www.w3.org/2000/01/rdf-schema#label
|
Armide (Lully)
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