Statements (58)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:Film_Director
|
| gptkbp:activeYears |
1720-1739
|
| gptkbp:associatedAct |
Dramatic arts
|
| gptkbp:birthDate |
1705
|
| gptkbp:contribution |
Development_of_Portuguese_theatre
|
| gptkbp:culturalSignificance |
Baroque
Pioneer_of_Portuguese_comedy |
| gptkbp:deathDate |
1739
|
| gptkbp:education |
gptkb:University_of_Coimbra
|
| gptkbp:family |
Noble family
|
| gptkbp:famousFor |
His comedic plays
|
| gptkbp:filmography |
gptkb:Teatro_Nacional_D._Maria_II
gptkb:Teatro_da_Trindade Physical comedy Social commentary Moral lessons Costume design Audience interaction Use of stock characters Character-driven narratives Character arcs Improvisation techniques Narrative complexity Use of props Visual spectacle Stagecraft advancements Integration of dance Use of music in plays |
| gptkbp:genre |
comedy
|
| gptkbp:historicalContext |
gptkb:Portuguese_Restoration_War
|
| https://www.w3.org/2000/01/rdf-schema#label |
António José da Silva
|
| gptkbp:influence |
Portuguese_theatre
|
| gptkbp:influenced |
Portuguese_literature
|
| gptkbp:influencedBy |
gptkb:Molière
gptkb:French_theatre Italian commedia dell'arte Spanish_theatre |
| gptkbp:language |
Portuguese
|
| gptkbp:legacy |
Influence on later playwrights
|
| gptkbp:musicStyle |
Farce
Introduced new comedic elements |
| gptkbp:nationality |
Portuguese
|
| gptkbp:notableFeature |
gptkb:Dona_Inês
gptkb:Zé_do_Telhado Satirical comedy Hypocrisy Social satire Class conflict Human folly Tio Fanfarrão Love_and_marriage |
| gptkbp:notableWork |
gptkb:O_Guarani
gptkb:A_Menina_e_o_Fogo O Casamento de Tio Fanfarrão |
| gptkbp:occupation |
playwright
|
| gptkbp:placeOfBirth |
gptkb:Lisbon
|
| gptkbp:placeOfDeath |
gptkb:Lisbon
|
| gptkbp:productionCompany |
18th century
|