Statements (298)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:ballet
gptkb:opera gptkb:novel |
| gptkbp:action |
two acts
|
| gptkbp:adaptation |
gptkb:musical
gptkb:ballet gptkb:opera gptkb:theater gptkb:miniseries gptkb:film |
| gptkbp:adaptation_year |
gptkb:1935
gptkb:1975 gptkb:2012 1948 |
| gptkbp:adaptations |
various stage adaptations
|
| gptkbp:audience |
widely performed internationally
|
| gptkbp:author |
gptkb:Leo_Tolstoy
|
| gptkbp:awards |
gptkb:Isadora_Duncan_Dance_Award
|
| gptkbp:based_on |
novel by Leo Tolstoy
|
| gptkbp:character |
gptkb:Katyusha
gptkb:Grisha_Karenin gptkb:Sergei_Karenin gptkb:Countess_Vronskaya gptkb:Nikolai gptkb:Grisha gptkb:Darya_Alexandrovna_Oblonskaya gptkb:Count_Alexei_Vronsky gptkb:Kitty_Shtcherbatsky gptkb:Princess_Betsy gptkb:Betsy gptkb:Masha gptkb:Vanya gptkb:Konstantin_Levin gptkb:Frou-Frou gptkb:Alexei_Alexandrovich_Karenin gptkb:Dolly_Oblonskaya gptkb:Countess_Lydia_Ivanovna gptkb:Madame_Stahl gptkb:Darya gptkb:Madame_de_Ville gptkb:Nikolai_Levin Levin Alyosha Mikhailov Konstantin Steva Oblonsky Seryozha Karenin Vronsky's mother Seryozha |
| gptkbp:character_development |
Anna's tragic arc
Karenin's moral struggle Vronsky's obsession |
| gptkbp:character_relationships |
Anna and Karenin's marriage
Anna and Vronsky's affair Vronsky and Karenin's rivalry |
| gptkbp:child |
gptkb:Sergei_Karenin
|
| gptkbp:choreography |
Tomasson
|
| gptkbp:climax |
train station scene
|
| gptkbp:composer |
gptkb:Leoš_Janáček
|
| gptkbp:conflict |
societal norms
personal vs societal expectations love vs duty personal desire |
| gptkbp:critical_reception |
acclaimed
positive generally positive widely acclaimed initially mixed now considered a masterpiece |
| gptkbp:cultural_impact |
influenced feminist literature
inspired discussions on morality inspired adaptations influenced various art forms inspired social commentary inspired discussions on love and relationships influenced writers inspired literary criticism inspired artworks inspired songs studied in literature courses influenced filmmakers inspired feminist discourse discussed in academia influenced philosophers adapted into operas inspired philosophical discussions inspired adaptations in various languages adaptations in various media inspired psychological analysis influenced artists inspired discussions on family dynamics remains a subject of academic study inspired discussions on the role of women in society inspired existential thought adapted into ballets inspired discussions on personal freedom inspired discussions on societal norms examined the role of women in society inspired discussions on the nature of happiness adapted into television series analyzed the nature of happiness contributed to discussions on existentialism depicted the struggles of the aristocracy explored themes of infidelity highlighted the complexities of love inspired numerous discussions on morality portrayed the emotional turmoil of its characters reflected on the consequences of choices showcased the intricacies of human relationships sparked debates on morality and ethics addressed the conflict between personal desires and social norms examined the impact of societal pressures on individuals inspired discussions on happiness and fulfillment influenced modern operatic works widely regarded as one of the greatest novels ever written. |
| gptkbp:cultural_significance |
explores themes of morality
reflects on 19th-century Russian society |
| gptkbp:director |
various renowned opera directors
|
| gptkbp:explores |
gptkb:marriage
gptkb:moral_ambiguity gptkb:social_class gptkb:infidelity gptkb:sacrifice mental health isolation redemption romantic love the pursuit of happiness the consequences of choices societal expectations personal freedom family dynamics identity crisis feminine identity the nature of happiness the nature of truth the role of women despair the complexity of human emotions the search for meaning the search for belonging the impact of love on life the role of fate in life the complexity of human relationships the nature of sacrifice the struggle for self-acceptance the struggle for authenticity the impact of society on the individual the nature of loyalty the conflict between duty and desire the search for fulfillment the impact of betrayal on relationships the complexity of desire the impact of love on identity the nature of regret the impact of loss on personal identity the consequences of societal judgment the impact of love on personal identity the nature of passion the struggle for authenticity in a conformist society the impact of societal expectations on personal happiness the complexity of desire in human relationships the complexity of human emotions in love. the consequences of choices on personal happiness the impact of betrayal on personal happiness the impact of loss on the individual the nature of happiness in a constrained society the nature of happiness in love the nature of identity in a changing world the nature of love and its consequences the nature of loyalty in love the nature of passion in love the nature of personal sacrifice in love the nature of personal sacrifice in relationships the nature of regret in relationships the nature of truth in relationships the search for fulfillment in love the consequences of societal norms on personal choices the impact of societal expectations on personal fulfillment the impact of societal judgment on personal relationships the consequences of societal norms on personal identity the struggle for personal freedom in a constrained society the struggle for self-acceptance in a judgmental society |
| gptkbp:famous_event |
featured in opera festivals
|
| gptkbp:genre |
literary fiction
tragic opera realist novel |
| gptkbp:historical_context |
set in the late 19th century
|
| https://www.w3.org/2000/01/rdf-schema#label |
Anna Karenina
|
| gptkbp:influence |
Russian literature
Western literature modern literature feminist literature world literature psychological realism |
| gptkbp:influenced |
modern literature
feminist literature psychological fiction |
| gptkbp:influenced_by |
Russian literature
|
| gptkbp:influences |
Russian literature
ballet adaptations European opera |
| gptkbp:influential_work |
considered a significant opera of the 20th century
|
| gptkbp:inspiration |
modernist literature
psychological realism inspired by Tolstoy's novel |
| gptkbp:inspired_by |
Anna Karenina (novel)
|
| gptkbp:is_acclaimed_for |
widely regarded as one of the greatest novels ever written
|
| gptkbp:language |
gptkb:Czech
gptkb:Russian |
| gptkbp:legacy |
remains a staple in opera repertoire
|
| gptkbp:length |
approximately 2 hours
|
| gptkbp:librettist |
gptkb:Leoš_Janáček
|
| gptkbp:main_character |
gptkb:Anna_Karenina
gptkb:Count_Alexei_Vronsky gptkb:Alexei_Vronsky gptkb:Alexei_Alexandrovich_Karenin |
| gptkbp:moral |
loyalty vs passion
|
| gptkbp:music_by |
gptkb:Rodion_Shchedrin
|
| gptkbp:music_style |
modernist influences
traditional operatic elements |
| gptkbp:narrative_style |
stream of consciousness
third-person omniscient omniscient omniscient narration |
| gptkbp:notable_aria |
' Anna's final scene' aria
' Kreutzer Sonata' aria |
| gptkbp:notable_artist |
performed by famous sopranos
|
| gptkbp:notable_characters |
gptkb:Grisha_Karenin
gptkb:Princess_Betsy_Tverskaya gptkb:Sergei_Karenin gptkb:Kitty_Shtcherbatsky gptkb:Masha gptkb:Dolly_Oblonskaya gptkb:Countess_Lydia_Ivanovna Levin Steva Oblonsky Vronsky's mother |
| gptkbp:notable_collaborations |
collaborated with various artists
|
| gptkbp:notable_collection |
features ensemble scenes
|
| gptkbp:notable_moment |
Anna's emotional turmoil
Karenin's struggle with betrayal Vronsky's obsession with Anna |
| gptkbp:notable_performers |
gptkb:Maria_Kochetkova
gptkb:Yuan_Yuan_Tan gptkb:Sofiane_Sylve gptkb:Davit_Karapetyan Gonzalo Garcia performed at major opera houses |
| gptkbp:notable_quote |
All happy families are alike; each unhappy family is unhappy in its own way.
“ All happy families are alike; each unhappy family is unhappy in its own way.” |
| gptkbp:orchestration |
gptkb:orchestra
|
| gptkbp:original_language |
gptkb:Russian
|
| gptkbp:page_count |
approximately 864
|
| gptkbp:performance |
approximately 2 hours
|
| gptkbp:performed_by |
gptkb:San_Francisco_Ballet
|
| gptkbp:premiere |
gptkb:1921
|
| gptkbp:premiere_date |
1877
|
| gptkbp:premiered_on |
gptkb:2010
|
| gptkbp:published |
1877
|
| gptkbp:published_in |
1877
The Russian Messenger |
| gptkbp:publisher |
The Russian Messenger
|
| gptkbp:recordings |
multiple recordings available
|
| gptkbp:reviews |
gptkb:San_Francisco_Chronicle
gptkb:The_New_York_Times gptkb:Dance_Magazine |
| gptkbp:scholarly_analysis |
analyzed in musicology studies
discussed in literary critiques |
| gptkbp:set_in |
gptkb:Imperial_Russia
|
| gptkbp:setting |
gptkb:Imperial_Russia
|
| gptkbp:spouse |
gptkb:Alexei_Alexandrovich_Karenin
|
| gptkbp:style |
neoclassical ballet
|
| gptkbp:symbolism |
gptkb:train
the city the countryside the ball the train |
| gptkbp:thematic_element |
conflict between personal desire and duty
impact of societal expectations |
| gptkbp:theme |
gptkb:betrayal
gptkb:society love societal norms |
| gptkbp:themes |
gptkb:betrayal
gptkb:family gptkb:society love |
| gptkbp:written_by |
gptkb:Leo_Tolstoy
|
| gptkbp:bfsParent |
gptkb:Cara_Delevingne
gptkb:Dario_Marianelli gptkb:Leo_Tolstoy gptkb:Tolstoy gptkb:Jacqueline_Durran gptkb:Tatyana_Samoilova gptkb:Sophie_Marceau gptkb:Vivien_Leigh |
| gptkbp:bfsLayer |
4
|