|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:adapted_into
|
gptkb:film_adaptation
gptkb:musical
gptkb:miniseries
various formats
|
|
gptkbp:awards
|
gptkb:Tony_Award_for_Best_Play
gptkb:Pulitzer_Prize_for_Drama
|
|
gptkbp:cast
|
gptkb:Al_Pacino
gptkb:Emma_Thompson
gptkb:Meryl_Streep
gptkb:Justin_Kirk
gptkb:Patrick_Wilson
gptkb:Mary_Louise_Parker
|
|
gptkbp:cultural_impact
|
gptkb:significant
adapted into other media
discussed in academia
inspired activism
influenced theatre
|
|
gptkbp:cultural_significance
|
explores identity
addresses societal issues
examines mortality
|
|
gptkbp:directed_by
|
gptkb:Mike_Nichols
|
|
gptkbp:explores
|
American identity
the afterlife
human relationships
moral dilemmas
the concept of time
American society
the supernatural
human connection
|
|
gptkbp:explores_themes
|
gptkb:AIDS
gptkb:politics
gptkb:identity
homosexuality
|
|
gptkbp:features
|
magical realism
fantasy elements
|
|
gptkbp:features_character
|
gptkb:Belize
gptkb:Roy_Cohn
gptkb:Angel
gptkb:Hannah_Pitt
gptkb:Harper_Pitt
gptkb:Joe_Pitt
gptkb:Louis_Ironson
gptkb:Prior_Walter
|
|
gptkbp:first_performance
|
gptkb:The_Eureka_Theatre_Company
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:has_adaptation
|
gptkb:film_adaptation
gptkb:film_adaptations
gptkb:novel_adaptations
gptkb:radio_station
gptkb:stage_adaptation
gptkb:opera
gptkb:recordings
graphic novels
stage productions
radio adaptations
|
|
gptkbp:has_awards
|
gptkb:Tony_Award_for_Best_Play
gptkb:Pulitzer_Prize_for_Drama
|
|
gptkbp:has_cultural_impact
|
gptkb:LGBTQ+_representation
political discourse
artistic expression
social commentary
|
|
gptkbp:has_influence_on
|
contemporary theatre
social justice movements
LGBTQ+ representation in media
subsequent playwrights
discussions about AIDS
|
|
gptkbp:has_legacy
|
critical acclaim
cultural significance
theatrical innovation
scholarly analysis
|
|
gptkbp:has_performed_at
|
gptkb:various_countries
|
|
gptkbp:has_themes
|
gptkb:AIDS
gptkb:religion
gptkb:identity
Politics
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Angels in America
|
|
gptkbp:influenced
|
gptkb:The_Boys_in_the_Band
gptkb:Rent
gptkb:The_Laramie_Project
gptkb:Fun_Home
gptkb:The_Normal_Heart
theater community
LGBTQ+ literature
American drama
|
|
gptkbp:influenced_by
|
gptkb:historical_events
gptkb:Judaism
gptkb:LGBTQ+_rights_movement
gptkb:Marxism
|
|
gptkbp:inspired
|
numerous adaptations
|
|
gptkbp:inspired_by
|
real-life events
|
|
gptkbp:is_available_on
|
various streaming platforms
|
|
gptkbp:is_considered
|
a classic of American theater
a significant work in modern drama
a landmark work
a significant work in LGBTQ+ literature
|
|
gptkbp:is_considered_as
|
a landmark work
|
|
gptkbp:is_divided_into
|
two parts
Two Parts
|
|
gptkbp:is_influenced_by
|
gptkb:historical_events
personal experiences of the author
|
|
gptkbp:is_part_of
|
American theater canon
|
|
gptkbp:is_recognized_as
|
a classic of American theatre
|
|
gptkbp:is_recognized_by
|
audiences
critics
|
|
gptkbp:is_set_in
|
gptkb:1980s
gptkb:New_York_City
gptkb:Washington_D._C.
the afterlife
|
|
gptkbp:is_studied_in
|
academic settings
literature courses
theatre programs
|
|
gptkbp:miniseries_directed_by
|
gptkb:Mike_Nichols
|
|
gptkbp:miniseries_released_in
|
gptkb:2003
|
|
gptkbp:notable_character
|
gptkb:Belize
gptkb:Roy_Cohn
gptkb:Angel
gptkb:Hannah_Pitt
gptkb:Louis_Ironson
gptkb:Prior_Walter
|
|
gptkbp:notable_characters
|
gptkb:Roy_Cohn
gptkb:Angel
gptkb:Hannah_Pitt
gptkb:Louis_Ironson
gptkb:Prior_Walter
|
|
gptkbp:notable_production
|
London revival 2017
Broadway revival 2018
National Theatre 1992
New York Theatre Workshop 1990
Royal National Theatre 1992
|
|
gptkbp:part_of
|
gptkb:Perestroika
gptkb:Millennium_Approaches
|
|
gptkbp:performed_at
|
gptkb:Royal_National_Theatre
gptkb:Walter_Kerr_Theatre
gptkb:Broadway
gptkb:National_Theatre,_London
gptkb:theater
|
|
gptkbp:performed_by
|
gptkb:Royal_National_Theatre
gptkb:theater
professional theatre companies
theater companies worldwide
amateur theatre groups
|
|
gptkbp:performed_in
|
the 1990s
theatre festivals
the 2010s
the 2000s
international theatres
the 2020s
|
|
gptkbp:premiere_date
|
gptkb:2004
|
|
gptkbp:premiered_on
|
gptkb:1985
gptkb:1989
gptkb:1991
|
|
gptkbp:published_by
|
gptkb:Theatre_Communications_Group
|
|
gptkbp:set_in
|
gptkb:1980s
gptkb:New_York_City
|
|
gptkbp:themes
|
gptkb:AIDS
gptkb:politics
gptkb:identity
gptkb:spirituality
sexuality
homosexuality
AIDS crisis
|
|
gptkbp:translated_into
|
gptkb:French
gptkb:Italian
gptkb:Japanese
gptkb:Spanish
gptkb:German
multiple languages
|
|
gptkbp:won_award
|
gptkb:Tony_Award_for_Best_Play
gptkb:Pulitzer_Prize_for_Drama
|
|
gptkbp:written_by
|
gptkb:Tony_Kushner
|
|
gptkbp:written_in
|
English
|
|
gptkbp:bfsParent
|
gptkb:theater
|
|
gptkbp:bfsLayer
|
3
|